The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
with black velvet, which is the ordinary head-dress of the
countrywomen, a bonnet, which in the Limousin is a certain indication
of pretensions to the rank of the _bourgeoise_. Her robe, besides,
however inelegant it might be, was nevertheless town-made.
These matters I noticed at a glance, whilst one of my companions gave
the needful explanations as to our pacific intentions. Our hostess
pretended to be satisfied. She removed the cradle, threw some shavings
into the fire to revive it, and sat herself down with a cold,
constrained manner, in which I could discover at once considerable
embarrassment, accompanied by a certain air of dignity. Never had I
seen a Limousin peasant take a seat in the presence of _gentlemen_,
and I speedily made another discovery which not a little perplexed me.
The fire as it revived had thrown a glow upon the hearthstone, which
was of cast-iron, and presented a large armorial escutcheon. This
display astonished me. I looked round again at the smoke-dried kitchen
in which we sat; it was a miserable place. The ceiling was falling
piecemeal; in the pavement, disjointed and worn, were three or four
muddy holes but rarely cleared out, the dampness of which was kept up
by the continual dripping of a dozen cream cheeses, suspended in a
long basket of osiers. Two beds, a large table, and a few dilapidated
chairs, composed the furniture of the apartment, which was pervaded by
a sour and offensive smell, apparently very attractive to a huge sow
whose grunting snout was ever and anon thrust into the entrance of the
doorway. Whence, then, this curious hearthstone? I looked more
attentively at the young woman, and discovered in her countenance a
certain air of distinction. I then inquired of her at what place we
were.
"Monsieur is jesting at me, doubtless," she pretty sharply replied.
I assured her I had no such intention, and was really ignorant of the
name of the village.
"It is not a village, sir," she resumed, "it is a town. You are at the
Puy d'Arnac, in the Canton of Beaulieu."
A native of Marseilles would hardly have named the _Canebiere_ with
greater satisfaction. I knew that the Puy d'Arnac gave its name to a
celebrated growth of the _Correze_, and I thought I understood the
lofty tone of the reply. All on a sudden, one of my companions, whom
we nicknamed the "Broker," because he groped into all sorts of places,
and, with amusing perseverance, hunted out objects of art and
curiosity even in hovels, touched my elbow, and asked me if I had
noticed the picture which was half-hidden under the serge curtains of
one of the beds. I had not yet observed it, and got up to look at it.
It was the portrait of a general officer of the time of Louis XV. The
frame, sculptured and gilt, struck me still more, being really
beautiful. "This is a discovery indeed," said my friend to me, while I
inquired of the young woman where such a portrait could have come
from.
Public-domain text, read in full here on John Shaqi.
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