The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
adorable, that ironical and _blasé_ nobility, who pushed the contempt
of life even to insanity, and the worship of courtesy and honor even
to the sublime?--who endowed their country with such a renown for
elegance, high-breeding, and gallantry, that all its demagogic
saturnalia never have effaced it, and never will?--a nobility
reckless, if you please, but assuredly charming, and perfectly French
withal, who gayly passed through life without ever doing the morrow
the honor of thinking about it, and who, beholding one day the earth
give way beneath their feet, looked into the abyss without a wink,
without alarming themselves, without belying themselves, and went down
alive and whole into the gulf, disdaining all defence, "without fear,"
if not "without reproach."
Between the saying of Anteroches and that of Cambronne there is a
great gap; we find that the revolution has passed through it. The
gentleman, refined even to exaggeration, has disappeared, and we have
instead the rude language of democracy--"_La garde meurt et ne se rend
pas_"--this is heroism, no doubt, but heroism of another sort. Never
did the _chauvinism_ of this present time light upon a more cornelian
device, but do you not see in it the theatrical affectation, the
melo-dramatic emphasis of another race? That he had no fear of death,
and no idea of surrendering--this is what the gentleman of Fontenoy
had no intention of declaring; it ought to have been well known--his
followers had already given proof of it for ages past. To be brave
alone to him was nothing--he must be as elegant in battle as he was at
the ball. What signified death to that incomparable race who
afterwards composed madrigals in prison, and ascended the scaffold
with a smile, their step elastic, and their hand in the waistcoat
pocket, a cocked hat under their arm, and a rose-bud between their
lips? This epoch was personified in my eyes by the handsome and gentle
countenance of the Count of Anteroches. After more than a hundred
years I had discovered by chance, myself, an obscure wayfarer, in an
unknown and miserable cabin, where his grand-daughter was living in
the midst of her poultry, the portrait of this brilliant officer, to
whose name will ever attach an elegant and charming renown; for if,
like Cambronne, Anteroches did not really utter the words attributed
to him, they have still been lent to him, and if thus lent, assuredly
because there were grounds for it.
After these over-lengthy reflections, I turned toward the peasant
woman, who now inspired me with profound commiseration. She continued
to rock to and fro her bandaged infant, who was in very right and deed
the Count of Anteroches. I inquired what was the occupation of her
husband.
"He is dead," she replied; "I was better off during his lifetime. He
was a _gendarme_, Monsieur."
"A _gendarme_!" I repeated with surprise.
Public-domain text, read in full here on John Shaqi.
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