The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
He was thus enabled to enjoy somewhat of the society of his wife, and
the emperor had the gratification of seeing his son when he chose. Don
Juan was now a fine lad, in his eleventh year. He passed amongst the
neighbors for Quixada's page, and remained under the guardianship of
Doña Magdalena, whose efforts to imbue him with devotion towards the
Blessed Virgin are supposed by his historians to have borne good fruit
in the banners, embroidered with Our Lady's image, which floated from
his galleys at Lepanto. He likewise exercised in the Yuste forest the
cross-bow, which had dealt destruction amongst the sparrows of
Leganes, his early home in Castille.
If the number of servants in the train of Charles should savor, in
this age, somewhat of unnecessary parade, the ascetic character of the
recluse will be redeemed by a glance at the interior of his dwelling.
"The palace of Yuste, when prepared for his reception, seemed," says
the historian Sandoval, "rather to have been newly pillaged by the
enemy, than furnished for a great prince." Accustomed from his infancy
to the finest tapestry designed by Italian pencils for the looms of
Flanders, he now lived within walls entirety bare, except in his
bedchamber, which was hung with coarse brown or black cloth. The sole
appliances for rest to be found in his apartments were a bed and an
old arm-chair, not worth four reals. Four silver trenchers of the
plainest kind, for the use of his table, were the only things amongst
his goods and chattels which could tempt a thief to break through and
steal. A few choice pictures alone remained with him, as memorials of
the magnificence which he had foregone, and of the arts which he had
so loved. Over the high altar of the convent church, and within sight
of his bed, he is said to have placed that celebrated composition
known as The Glory of Titian, a picture of the Last Judgment, in which
Charles, his beautiful empress, and their royal children, were
represented, in the great painter's noblest style, as entering the
heavenly mansions of life eternal. He had also brought with him a
portrait of the empress, and a picture of Our Lord's Agony in the
Garden, likewise from the easel of Titian; and there is now at the
Escorial a masterpiece by the same hand--St. Jerome praying in his
garden, which is traditionally reputed to have hung in his oratory at
Yuste.
From the garden beneath the palace windows the emperor's table was
supplied with fruit and vegetables: and a couple of cows, grazing in
the forest, furnished him with milk. A pony and an old mule composed
the entire stud of the prince, who formerly took peculiar pleasure in
possessing the stoutest chargers of Guelderland, and the fleetest
genets of Cordova.
Public-domain text, read in full here on John Shaqi.
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