The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
LEUTZE, the artist, has been again distinguishing himself by a work
just exhibited in Düsseldorf, "The Amazon with her Children." It
represents a beautiful and majestic woman, lying half-erect, arms and
neck bare, contemplating the gambols of her two naked children. The
brilliant golden-tone of the complexion is said to be entirely worthy
of the masterly skill in color of the artist, and was perhaps inspired
by the poet's dream, "I will take some savage woman; she shall rear my
dusky race." But in respect of composition and drawing it is called an
attempt to imitate the art of the old Italian virtuosos. The artist is
proceeding with surprising rapidity with his Washington. A portrait of
Roting by Leutze is most highly commended. Roting is in the same
atelier with Leutze, and is busy upon a scene from the life of
Columbus.
* * * * *
The Managers of the ART-UNION promise rich returns to the subscribers
for the present year. We quote the _Art-Union Journal_:
"We have never before offered so many powerful motives to
membership as the programme of the present year affords. The
improvements in the Bulletin render it a publication that is
almost indispensable to those who desire to have in a
convenient form the most recent Art intelligence, as well as
much original matter upon the subject that meets the
constant approbation of instructed readers. The numbers of
this work are furnished gratuitously to each member from the
date of his subscription. He will also be entitled to the
large engraving of _Mexican News_ by JONES, after Woodville,
and to the second part of the _Gallery of American Art_,
which contains five line engravings on steel, by the best
artists, after the following pictures: Cropsey's
_Harvesting_, Kensett's _Mount Washington_, Woodville's _Old
'76 and Young '48_, Ranney's _Marion crossing the Pedee_,
and Mount's _Bargaining for a Horse_. We desire to call
attention again to the fact that these subjects are all
American in their character, illustrating the scenery,
history, or manners of the country. They are also striking
and valuable as pictures, and we should have every reason to
feel proud of them in whatever contrast they might be
placed.
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