The International Monthly, Volume 3, No. 4, July, 1851Various
History
The International Monthly, Volume 3, No. 4, July, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
across it. Three or four different characters seem to be used
indiscriminately, and some of them are certainly Chinese. The good folks
of Dai Nippon are indebted to the Chinese for the first strong impulse
to their civilization; not being themselves of Chinese origin, but a
distinct branch of the Mongolian family. Their language is quite
different, and has exceedingly long words, instead of being built up,
like Chinese, of mono-syllables. Japanese written in Chinese character
is understood by any Chinaman; but so would English be, since Chinese
writing represents ideas. So, if a Spaniard writes five, an Englishman
reads it as "five," and understands correctly, yet the Spaniard would
tell you that he wrote not "five," but "cinco."
Hovering still about this gentleman, and beguiled by the strangeness of
all things we see into a curiosity like that of children, we admire his
sword. The hilt is very beautiful, composed of various metals blended
into a fine enamel. This enamel is used in Japan where Europeans would
use jewels, because the art of cutting precious stones is not known to
the Japanese. For the blade of this sword it is not impossible that a
sum has been given not unlike a hundred pounds; the tempering of steel
is carried to perfection in Japan, where gentlemen are connoisseurs in
sword-blades. Young nobles lend their maiden swords to the executioner
(who is always chosen from the defiled leather-selling race) that they
may be tried upon real flesh and blood; as executions in Japan are
generally cruel, and some criminals are hacked to death, rather than
killed outright, the swords on such occasions are refreshed with a fair
taste of blood. The mats upon the floor are the next things we notice. A
thick matting of straw forms a substratum, over which are spread the
fine mats, elegantly fringed. To see that lackered work inlaid with
mother-of-pearl, which we familiarly call Japan, in its perfection, we
must evidently visit it at home. Any thing of the kind so exquisitely
beautiful as this little table, is not to be found in Europe. Whatever
trinkets pass out of these islands into Europe, do so _nayboen_--that
is, with secret connivance--but the first-rate manufactures are in no
way suffered to come to us. Without _nayboen_, life would be
insupportable in a minute wilderness of rules and customs. People even
die _nayboen_--that is, a man lies unburied, and is said to be alive,
when his death otherwise would lead to disagreeable results. Here, as
elsewhere, when rules are made intolerably strict, evasion is habitual.
The amount that cannot be evaded is astonishing enough, as we shall see
ere we return to England. Now we are in the house of this gentleman at
Nagasaki. His wife enters, and by their mutual behavior it is evident
that ladies in Japan are to their husbands very much what ladies are in
England. This lady passes to the garden; the room ends with a projecting
angle open to the garden on each side, a sort of bay, which every house
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account