The International Monthly, Volume 3, No. 4, July, 1851Various
History
The International Monthly, Volume 3, No. 4, July, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"The heroes of his second lecture were Congreve and Addison.
For Congreve, while he admitted the brilliancy of his wit,
he evinced no great respect. He characterized him as the
greatest literary "swell" that ever lived. With an air of
greatness, Congreve put on his best clothes, stalked among
wits who all thronged to admire him, however eminent they
might be, and approached fine ladies with a certainty of
conquest. The "I am the great Mr. Congreve!" was the
complacent ejaculation which seemed to break through all he
said and did. His character as a man of gallantry was
illustrated by citations from his poems, in which he
adulates or insults the ladies whom he immortalizes, and
every where appears as the irresistible seducer, sure to be
victorious in the end. And who could resist that very great
Mr. Congreve, with his very fine coat, squeezing a hand,
covered with diamonds, through the ringlets of a dishevelled
periwig? Of the moral principle of his comedies Mr.
Thackeray spoke with disgust, and traced the worship of
youth and recklessness, and the disrespect of old age, which
are such leading characteristics in those brilliant works,
through a whole series of dramatic categories from the
comedy to the puppet-show. The constant tendency, he
humorously described, is a recommendation to "Eat and drink,
and go to the deuce, when your time comes, if deuce there
be; and he confessed that he regarded these witty banquets
without love as he would contemplate the ruins of Sallust's
house at Pompeii, with all its ghastly relics of festivity.
The foppish depreciation of his own literary productions
with which Congreve met the compliments of Voltaire, Mr.
Thackeray rather commended than otherwise, but not for a
reason which would have pleased the great man. He really did
think his productions worthless, if weighed against one
kindly line of Steele or Addison.
Public-domain text, read in full here on John Shaqi.
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