The International Monthly, Volume 4, No. 1, August, 1851Various
History
The International Monthly, Volume 4, No. 1, August, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Leonard, meanwhile, had been looking over his MSS. There was first a
project for an improvement on the steam-engine--a project that had
long lain in his mind, begun with the first knowledge of mechanics
that he had gleaned from his purchases of the Tinker. He put that
aside now--it required too great an effort of the reasoning faculty to
re-examine. He glanced less hastily over a collection of essays on
various subjects, some that he thought indifferent, some that he
thought good. He then lingered over a collection of verses, written in
his best hand with loving care--verses first inspired by his perusal
of Nora's melancholy memorials. These verses were as a diary of his
heart and his fancy--those deep unwitnessed struggles which the
boyhood of all more thoughtful natures has passed in its bright yet
murky storm of the cloud and the lightning flash; though but few boys
pause to record the crisis from which slowly emerges Man. And these
first, desultory grapplings with the fugitive airy images that flit
through the dim chambers of the brain, had become with each effort
more sustained and vigorous, till the phantoms were spelled, the
flying ones arrested, the immaterial seized, and clothed with Form.
Gazing on his last effort, Leonard felt that there at length spoke
forth a Poet. It was a work which, though as yet but half completed,
came from a strong hand; not that shadow trembling on unsteady waters,
which is but the pale reflex and imitation of some bright mind,
sphered out of reach and afar; but an original substance--a life--a
thing of the _Creative_ Faculty--breathing back already the breath it
had received. This work had paused during Leonard's residence with Mr.
Avenel, or had only now and then, in stealth, and at night, received a
rare touch. Now, as with a fresh eye, he re-perused it; and with that
strange, innocent admiration, not of self--(for a man's work is not,
alas! himself--it is the beatified and idealized essence, extracted he
knows not how from his own human elements of clay)--admiration known
but to poets--their purest delight, often their sole reward. And then,
with a warmer and more earthly beat of his full heart, he rushed in
fancy to the Great City, where all rivers of Fame meet, but not to be
merged and lost--sallying forth again, individualized and separate, to
flow through that one vast thought of God which we call THE WORLD.
He put up his papers; and opened his window, as was his ordinary
custom, before he retired to rest--for he had many odd habits; and he
loved to look out into the night when he prayed. His soul seemed to
escape from the body--to mount on the air--to gain more rapid access
to the far Throne in the Infinite--when his breath went forth among
the winds, and his eyes rested fixed on the stars, of Heaven.
Public-domain text, read in full here on John Shaqi.
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