The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The Count, who had been forced to conceal the manner in which his
property had been restored, told his friends, Taddeo, d'Harcourt and
Von Apsberg, that certain important funds had been recovered from the
general wreck; and they, delighted with his good fortune, did not fail
to congratulate him. The world was more curious; the enemies of the
Count especially, who were ultra-monarchists, were numerous, active,
and malicious. They wrote to Naples, and ascertained that the ruin of
Monte-Leone was total, acquiring also certainty that he had no funds
in any European bank, and no property. They therefore made an outcry
of astonishment when they saw all the external appearance of opulence
in the possession of one they knew without the means of so splendid
and imposing an establishment. The Count knew nothing of this, and
continued his old life. It is, all know, true that rumors of this kind
reach their object last of all, when they are calculated to be
injurious.
One of the dominant ideas which actuated us in the preparation of this
history, we can here dwell upon, and we ask leave to do so briefly.
There exists in French society, polished and elegant as it is, a
hideous monster known to all, though no one disturbs it. Its ravages
are great; almost incalculable. It saps reputations, poisons,
dishonors, and defiles the splendor of the most estimable fame. This
minotaurus, which devours so many innocent persons, is especially
fearful, because its blows are terrible. It presents itself under the
mildest and gentlest forms, and is received every where in the city.
We find it in our rooms, in the interior of our families, in the
palaces of the opulent, and the garrets of the poor. It has no name,
being a mere figure of speech, a very word. It is composed of but one
phrase, and is called--THEY SAY. "Do you know such a one?" is often
asked, and the person is pointed out.
"_No_; but they say his morals are very bad. He has had strange
adventures, and his family is very unhappy."
"Are you sure?"
"No, I know nothing about it. But they say so."
"This young woman, so beautiful, so brilliant, so much admired--Do you
know her?"
"No. _They say_ that it is not difficult to please her, and that more
than one has done so."
"But she appears so decent, so reserved."
"Certainly; but _they say_----"
"Do not trust that gentleman who has such credit and is thought so
rich. Be on your guard--"
"Bah! his fortune is immense: see what an establishment he has."
"Yes! But _they say_ he is very much involved."
"Do you know the fact?"
"Not I. _They say_ though--"
Public-domain text, read in full here on John Shaqi.
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