The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Delta, we have already said, gained reputation, in prose, as well as
in verse. His _Mansie Wauch, Tailor in Dalkeith_, is one of the most
delightful books in the language. It is partly, it is true, imitated
from Galt; but, while not inferior to him in humor, it has infused a
far deeper vein of poetry into the conception of common Scottish life.
Honor to thee, honest Mansie! Thou art worth twenty Alton Lockes, the
metaphysical tailor (certainly one of the absurdest creations, and
surrounded by the most asinine story of the age, although redeemed by
some glorious scenes, and _one_ character, Sandy Mackay, who is just
Thomas Carlyle _humanized_). But better than thee still, is thy
'prentice, Mungo Glen, with decline in his lungs, poetry in his heart,
and on his lips one of the sweetest laments in the language! Many
years have elapsed since we read thy life, but our laughter at thy
adventures, and our tears at the death of thy poor 'prentice, seem as
fresh as those of yesterday!
Why did Delta only open, and never dig out, this new and rich vein? He
alone seemed adequate to follow, however far off, in the steps of the
Great Wizard. Aird seemed to have exhausted his tale-writing faculty,
exquisite as it was. Wilson's tales, with all their power, lack
repose; they are too troubled, tearful, monotonous, and tempestuous.
Galt, Miss Ferrier, the authoress of the Odd Volume, Macnish, &c., are
dead....
We had not the pleasure of hearing Delta's recent lectures. They were,
chatty, conversational, lively, full of information, although neither
very eloquent, nor very profound. He knew too well the position in
which he stood, and the provender which his audience required! Nor, we
confess, did we expect to meet in them with a comprehensive or final
vidimus of the poetry of the last fifty years. His Edinburgh eye has
been too much dazzled and overpowered by the near orbs of Walter Scott
and Wilson, to do justice to remoter luminaries. Nor was criticism
exactly Delta's forte. He had not enough of subtility--perhaps not
enough of profound native instinct--and, perhaps, _some_ will think,
not enough of bad blood. But his criticism must, we doubt not, be
always sincere in feeling, candid in spirit, and manly in language.
Still, we repeat, that his power and mission were in the description
of the woods and streams, the feelings and customs, the beauties and
peculiarities, of 'dear Auld Scotland.'
It may, perhaps, be necessary to add, that the name Delta was applied to
Dr. Moir, from his signature in "Black wood," which was always [Symbol:
Delta]; that he was a physician in Musselburgh, and the author of some
excellent treaties on subjects connected with his own profession; and that
while an accomplished litterateur and beautiful poet, he never neglected
his peculiar duties, but stood as high in the medical as in the literary
world.
From Fraser's Magazine.
THE DESERTED MANSION.
Public-domain text, read in full here on John Shaqi.
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