The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The body of the Emperor lay in state, on a platform raised in an
apartment of the house where he died. The presence-chamber was hung
with black, and the bier was covered with cloth of gold. A great many
wax tapers lighted up the gloomy scene. A priest at the head of the
bier prayed continually for the repose of his deceased sovereign's
soul. Two sentinels with drawn swords watched day and night beside the
dead, two were stationed at the doors, and two stood on each step
leading to the bier. Every person received at the door a lighted
taper, which he held while he remained in the apartment. The Empress
was present during these masses, but she always fainted at the
conclusion of the service. Crowds of people united their prayers to
hers, for the Emperor was adored by the common people. The corpse of
Alexander I. lay in state twenty-one days before it was removed to the
Greek monastery of St. Alexander, where it was to rest before its
departure for interment in St. Petersburgh.
Upon the 25th December, the remains of the Emperor were placed on a
funeral car drawn by eight horses, covered to the ground with black
cloth ornamented with the escutcheons of the empire. The bier rested
on an elevated dais, carpeted with cloth of gold; over the bier was
laid a flag of silver tissue, charged with the heraldic insignia
proper to the imperial house. The imperial crown was placed under the
dais. Four major-generals held the cords which supported the diadem.
The persons composing the household of the Emperor and Empress
followed the bier dressed in long black mantles, bearing in their
hands lighted torches. The Cossacks of the Don every minute discharged
their light artillery, while the sullen booming of the cannon added to
the solemnity of the imposing scene.
Upon its arrival at the church, the body was transferred to a
catafalco covered with red cloth, surmounted by the imperial arms in
gold, displayed on crimson-velvet. Two steps led up to the platform on
which the catafalco was placed. Four columns supported the dais upon
which the imperial crown, the sceptre, and the globe, rested.
The catafalco was surrounded by curtains of crimson velvet and cloth
of gold, and four massy candelabra, at the four corners of the
platform, bore wax tapers sufficient to dispel the darkness, but not
to banish the gloom pervading the church, which was hung with black
embroidered with white crosses. The Empress made an attempt to assist
at this funeral service, but her feelings overpowered her, and she was
borne back to the palace in a swoon; but as soon as she came to
herself she entered the private chapel, and repeated there the same
prayers then reciting in the church of St. Alexander.
Public-domain text, read in full here on John Shaqi.
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