The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Here is the manner in which Sir Francis Palgrave contrasts and
compares the two emperors, Charlemagne and Napoleon:--
"Napoleon sought the creation of an anti-christian imperial
pontificate--the caliphate of positive civilization; his
aspiration was the establishment of absolute dominion,
corporeal and intellectual; mastery over body and soul;
faith respected only as an influential and venerable
delusion; the aiding powers of religion accepted until she
should be chilled out, and the unfed flame expire, and
positive philosophy complete her task of emancipating the
matured intellect from the remaining swathing bands which
had been needful during the infancy of human society. And
the theories of Charlemagne and Napoleon, though
irreconcileably antagonistic, in their conception, would,
were either fully developed, become identical in their
result, notwithstanding their contrarieties. They start in
opposite directions, but, circling round their courses,
would--were it permitted that they should persevere
continuously and consistently--meet at the same point of
convergence, and attain the same end.
"Moreover, the territorial empires of Napoleon and
Charlemagne had their organically fatal characteristics in
common. Each founder attempted to accomplish political
impossibilities--to conjoin communities unsusceptible of
amalgamation; to harmonize the discordant elements which
could only be kept together by external force, whilst their
internal forces sprung them asunder--a unity without
internal union. But even as the wonderful agencies revealed
to modern chemistry effect, in a short hour, the progresses
which nature silently elaborates during a long growth of
time, so in like manner did the energies of civilization
effect in three years that dissolution for which, in the
analogous precedent, seven generations were required."
THE DECORATIVE ARTS IN AMERICA.
Public-domain text, read in full here on John Shaqi.
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