The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The mansion at Ravenswood, which had braved the storms of eighty-five
winters (a venerable age for an American house), was pitched on a hill
commanding a view of the Hudson for forty miles. Without, it was built of
rough stone, with an ample wooden _stoop_ running all round it, and a great
variety of vines and creepers running round all the pillars of the
stoop;--within, it branched off into large halls and spacious rooms, filled
with antediluvian furniture, and guiltless of the ambitious upholstery
attempts of Young New-York, which in such matters goes ahead of Paris
itself. The library alone, in which Carl lived,--that is to say, he did
everything but dining and sleeping there,--was fitted up in modern style,
furnished with luxurious arm-chairs and sofas, the walls and ceiling neatly
painted in oak, and the principal window composed of one oval pane of glass
set in a frame, to which the external landscape supplied an exquisite
picture. The hill swept down to the water's edge almost, where it
terminated abruptly in a lofty terrace, ninety feet above the level of the
shore. The woodlands all about--on Benson's place, on the places adjoining,
on the opposite bank--would have been beautiful at any time of the year;
now, when the foliage was changing color, in anticipation of the coming
frost, they were surpassingly so. As the trees change not all at once, but
different ones assume different tints successively, the natural
kaleidoscope is varied from day to day. The sumach leaf is one of the first
to alter; it becomes a vivid scarlet; then the maple assumes a brilliant
red and gold; then others put on a rich sienna, and others a warm olive.
Here and there were interspersed patches of evergreens, pines looking
almost blue, and cedars looking quite black from the contrast of the
gorgeous and fiery coloring that surrounded them. The river water was deep
blue; in the little bay north of Ravenswood it shaded off into a soft olive
from the reflection of the foliage and grass about it; while beyond the
further bank of the Hudson rose the Kaatskill[21] chain, richly wooded to
their summits, and painted with the myriad dyes of autumn,--a fitting
background to the landscape. Of course the finest part of this view was
beyond the limits of Ravenswood, but so much of it as belonged to Carl (and
his grounds covered some two hundred acres) was cleverly disposed with the
help of an ingenious landscape-gardener; the trees were cut into
picturesque clumps and vistas, opened at the desirable points. Henry, who
bragged for all the family as well as for himself, took care to inform
Ashburner how, when the place came into Carl's possession (or rather into
his wife's, for by the laws of New-York, the wife's property is absolutely
hers, and out of her husband's control) by the demise of his father-in-law,
there was hardly a carriage-road on it, and how he had devoted all his
spare income to it for seven years, "and made it what you see it."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account