The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Then give me three-halfpence to take out with me."
"But what are you going to do? We may have nothing to-morrow, and then the
three-halfpence will be missed."
"Give!" said I, rather sternly, reflecting as I was on my scheme; "be
assured, it is for our good."
My poor wife gave me the money with a very ill grace, but without another
word; and, rising, I went out. When in the street, I directed my footsteps
towards the outskirts. They were soon reached. I halted before a tavern
frequented wholly by workmen, and going into the public room, called for a
_choppe_ of beer. I had purposely chosen my position. Before me was a
handsome, neatly-dressed young workman, who, like all his companions, was
smoking and drinking beer. Quietly, without saying a word, I drew out a
small note-book and a drawing-pencil. I was then considered a very good
artist; but had only used my pencil to sketch models. But I now sketched
the human face with care and anxiety. Presently, as my pencil was laid
down, a man sitting next to me peeped over my shoulder.
"Why!" he cried, "that's Alexis, to the life."
"How so?" said the man I had been sketching, holding out his hand, into
which I put my note-book.
"Good!" cried he, while a smile of satisfaction covered his face. "Will you
sell this? I should like to keep it."
"I will sell it if you like," replied I, as quietly as I could, though my
heart was nigh bursting with excitement.
"How much?"
I knew my man, and asked but six sous, threepence, which the workman gladly
paid, while five others followed his example, at the same price. I went
home a proud and happy man with my thirty-six pence of copper. Would you
believe it? that was the commencement of a long and prosperous career,
which lasted until the Revolution of 1848 threw me back again. Six months
after, I received a thousand florins for a portrait in oil of the Grand
Duchess of B----; and about the end of the same year I drove up to the
Hotel of the Minister of the Interior in a splendid carriage, a gentleman
by my side; it was the English commercial traveller.
We had a letter of audience, and were admitted at once. The Minister rose,
and after a very warm greeting, requested us to be seated. We took chairs.
"My dear Herwitz," said the Minister, a little, bowing, smirking man, "what
can I do for you? Glad to see you doing so well. The Grand Duchess says
wonders of you. I will have the committee on your machine."
"I beg your pardon," said I, "but I have come to request your written order
for its removal. I have sold it to the English house represented by this
gentleman."
"Its removal!" cried the astonished Minister; "impossible! so excellent an
invention should not pass into the hands of foreigners."
"So I thought," replied I, coldly, "when for nine months I waited daily in
your antechamber, with my family starving at home. But it is now sold. My
word is my bond."
Public-domain text, read in full here on John Shaqi.
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