The International Monthly, Volume 4, No. 4, November 1, 1851Various
History
The International Monthly, Volume 4, No. 4, November 1, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Such was the Duchess of Palma, the famous singer of San Carlo, whom we find
dying in this unknown and obscure retreat. The hand of God, who does not
always punish the soul of the criminal alone, but who sometimes strikes the
living body, weighed heavily on her. The Duke, weary of the ties imposed by
marriage on him, and becoming more and more infatuated with his thin
_danseuse_, sought for an opportunity to throw off his chains. He soon
found one. Feigning to be jealous, the Duke, in consequence of some vague
rumors, obtained the key of the bureau in which the Duchess kept the
"confessions of the heart," as she called the detail of her brief amour
with Monte-Leone. Having gotten possession of this paper, the Duke made a
great noise, threatened her with a suit, and easily obtained the separation
he desired so much. There was a general burst of indignation. The nobles
who had been furious at the _mesalliance_ of the Duke, were more so at the
ingratitude of the guilty wife and low-born woman, who had usurped a rank
and title of which she showed herself so unworthy. The Duchess disappeared
suddenly from the world, which gladly rejected one it had so unwillingly
received. La Felina took refuge in a small house in the retired quarter we
have mentioned. For, like _Venus attached to her prey_, she would not
leave Paris, in which she could not divest herself of the idea that
Monte-Leone, completely reinstated, would some day become Aminta's husband.
Sickness had gradually enfeebled her, and Salvatori, who was master of her
secrets, had established himself in her house. Taking advantage of her
complicity, he had, by means of cunning and terror, became in a manner the
master and tyrant, now that her health was gone, of one to whom he had been
an abject slave. For this reason he had, as we have seen, treated her with
such cruel disdain.
On the very day this scene took place, Monte-Leone received the following
note: "A woman, whose handwriting you will recognize, has but a few hours
to live. Come to see her for the sake of that pity she deserves. Do not
resist the prayers of one who is on her death-bed." Below was the address
of the Duchess.
The Count had long lost sight of La Felina; he knew she was separated from
her husband, but was so indifferent that he had not even asked why. Always
kind and generous, he thought duty required him to go, and on the next day
at noon, rang at La Felina's door. Stenio had preceded him a few moments,
and in the next room prepared to enjoy the scene. No sooner had the Count
entered the bedroom than Salvatori thought he heard steps in a boudoir
connected with it, and which opened on a back stairway. Uneasy at this
noise, for which he could not account, he was yet unable to satisfy
himself; for to do so, he would have been again obliged to cross the
Duchess's room, and the Count was already with her.
Public-domain text, read in full here on John Shaqi.
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