The International Monthly, Volume 4, No. 4, November 1, 1851Various
History
The International Monthly, Volume 4, No. 4, November 1, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Crebillon exclaimed against this opinion; but having been left alone for a
few hours to transcribe a parliamentary petition, he recalled to mind the
magic of the stage--the scenery, the speeches, the applause; a moment of
inspiration seized him. When the procureur returned, his pupil extended his
hand to him, exclaiming, enthusiastically, "You have pointed out the way
for me, and I shall depart." "Do not be in a hurry," replied the procureur;
"a _chef d'oeuvre_ is not made in a week. Remain quietly where you are,
as if you were still a procureur's clerk; eat my bread and drink my wine;
when you have completed your work, you may then take your flight."
Crebillon accordingly remained in the procureur's office, and at the very
desk on which he transcribed petitions, he composed the five long acts of a
barbarous tragedy, entitled, "The Death of Brutus." The work finished, our
good-natured procureur brought all his interest into play, in order to
obtain a reading of the piece at the Comedie Française. After many
applications, Crebillon was permitted to read his play: it was unanimously
rejected. The poet was furious; he returned home to the procureur's, and
casting down his manuscript at the good man's feet, exclaimed, in a voice
of despair, "You have dishonored me!"
D'Alembert says, "Crebillon's fury burst upon the procureur's head; he
regarded him almost in the light of an enemy who had advised him only for
his own dishonor, swore to listen to him no more, and never to write
another line of verse so long as he lived."
Crebillon, however, in his rage maligned the worthy procureur; he would not
have found elsewhere so hospitable a roof or as true a friend. He returned
to the study of the law, but the decisive step had been taken; beneath the
advocate's gown the poet had already peeped forth. And then, the procureur
was never tired of predicting future triumphs. Crebillon ventured upon
another tragedy, and chose for his subject the story of the Cretan king,
Idomeneus. This time the comedians accepted his piece, and shortly
afterwards played it. Its success was doubtful, but the author fancied he
had received sufficient encouragement to continue his new career.
Public-domain text, read in full here on John Shaqi.
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