The International Monthly, Volume 4, No. 4, November 1, 1851Various
History
The International Monthly, Volume 4, No. 4, November 1, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
When M. Melchior Jolyot learned that his son had, in defiance of his
paternal prohibition, actually wedded the apothecary's daughter, his grief
and rage knew no bounds. The worthy man believed in his recent nobility as
firmly as he did in his religion, and his son's _mesalliance_ nearly drove
him to despair: this time he actually carried his threat into execution,
and made a formal will, by virtue of which he completely disinherited the
poet.--Fortunately for Crebillon, his father, before bidding adieu to the
world and his nobility, undertook a journey to Paris, curious, even in the
midst of his rage, to judge for himself the merits and demerits of the
theatrical tomfooleries, as he called them, of his silly boy, who had
married the apothecary's daughter, and who, in place of gaining nobility
and station in a procureur's office, had written a parcel of trash for
actors to spout. We must say, however, that Crebillon could not have
retained a better counsel to urge his claims before the paternal tribunal
than his wife, the much maligned apothecary's daughter, one of the
loveliest and most amiable women in Paris; and we may add, that this
nobility of which his father thought so much--the nobility of the
robe--which had not been acquired in a Dijonnaise family until after the
lapse of three generations, was scarcely equal to the nobility of the pen,
which Crebillon had acquired by the exercise of his own talents.
The old greffier, then, came to Paris for the purpose of witnessing one of
the sad tomfooleries of that unhappy profligate, who in better times had
been his son. Fate so willed it that on that night "Atrée" should be
performed. The old man was seized with mingled emotions of terror, grief,
and admiration. That very evening, being resolved not to rest until he had
seen his son, he called a coach on leaving the theatre, and drove straight
to the Faubourg Saint Marceau, to the house which had been pointed out to
him as the dwelling of Crebillon. No sooner had the doors opened than out
rushed seven or eight dogs, who cast themselves upon the old greffier,
uttering in every species of canine _patois_ the loudest possible
demonstrations of welcome. One word from Madame Crebillon, however, was
sufficient to recall this unruly pack to order; yet the dogs, having no
doubt instinctively discovered a family likeness, continued to gambol round
the limbs of M. Melchior Jolyot, to the latter's no small confusion and
alarm. Charlotte, who was alone, waiting supper for her husband, was much
surprised at this unexpected visit. At first she imagined that it was some
great personage who had come to offer the poet his patronage and
protection; but after looking at her visitor two or three times, she
suddenly exclaimed: "You are my husband's father, or at least you are one
of the Jolyot family." The old greffier, though intending to have
maintained his incognito until his son's return, could no longer resist the
Public-domain text, read in full here on John Shaqi.
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