But the mountain-breezes, and the uprising-to-meridian sun, are merciful. The shadowy form my reverie hinged itself upon is blown away. The open eyes once more glance upon the glassy waters of the lake close by the shore, and onward to the dancing ripples far away. And a merry prattling voice, from out of loving arms, is coming nearer and nearer over the velvety lawn--a voice so full of spirit, and life, and health, and sparkling innocence of care, that in a moment the frightful nightmare-dream is quite forgotten. More-- My reverie turns itself into a lesson of bright reality; a present study of budding mind; a jealous watch of care encroaching upon innocence; a kindly outpouring of the father's manly heart upon the shrine of his idol. Could such a reverie better end? HEROINES OF HISTORY--LAURA. WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE BY MARY E. HEWITT. Laura, rendered immortal by the love and lyre of Petrarch, was the daughter of Audibert de Noves, who was of the _haute noblesse_ of Avignon. He died in the infancy of Laura, leaving her a dowry of one thousand gold crowns, (about fifty thousand dollars,) a magnificent portion for those times. She was married at the age of eighteen to Hugh de Sade, a young noble only a few years older than his bride, but not distinguished by any advantages either of person or mind. The marriage contract is dated in January, 1325, two years before her first meeting with Petrarch; and in it her mother, the Lady Ermessende, and her brother, John de Noves, stipulate to pay the dower left by her father; and also to bestow on the bride two magnificent dresses for state occasions; one of green, embroidered with violets; the other of crimson, trimmed with feathers. In all the portraits of Laura now extant, she is represented in one of these two dresses, and they are frequently alluded to by Petrarch. He tells us expressly that when he first met her at matins in the church of Saint Claire, she was habited in a robe of green spotted with violets. Mention is also made of a coronal of silver with which she wreathed her hair; of her necklaces and ornaments of pearls. Diamonds are not once alluded to because the art of cutting them had not then been invented. From all which it appears that Laura was opulent, and moved in the first class of society. It was customary for women of rank in those times to dress with extreme simplicity on ordinary occasions, but with the most gorgeous splendor when they appeared in public. There are some beautiful descriptions of Laura surrounded by her young female companions, divested of all her splendid apparel, in a simple white robe and a few flowers in her hair, but still preëminent over all by her superior loveliness.