The International Monthly, Volume 5, No. 3, March, 1852Various
History
The International Monthly, Volume 5, No. 3, March, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
effecting the exact union between sentiment and execution, which is the
true and rare consummation of the Ideal in Art. But observe, while in
these personages of the group are depicted the deeper and graver
agencies implicated in the bright but terrible invention--observe how
little the light epicures of the hour heed the scowl of the monk, or the
restless gesture of Richard, or the troubled gleam in the eyes of the
artisan--King Edward, handsome _Poco curante_, delighted, in the
surprise of a child, with a new toy; and Clarence, with his curious yet
careless glance--all the while Caxton himself, calm, serene, untroubled,
intent solely upon the manifestation of his discovery, and no doubt
supremely indifferent whether the first proofs of it shall be dedicated
to a Rivers or an Edward, a Richard or a Henry, Plantagenet or
Tudor--'tis all the same to that comely, gentle-looking man. So is it
ever with your Abstract Science!--not a jot cares its passionless logic
for the woe or weal of a generation or two. The stream, once emerged
from its source, passes on into the Great Intellectual Sea, smiling over
the wretch that it drowns, or under the keel of this ship which it
serves as a slave.
Now, when about to commence the present chapter on the Varieties of
Life, this masterpiece of thoughtful art forced itself on my
recollection, and illustrated what I designed to say. In the surface of
every age, it is often that which but amuses, for the moment, the
ordinary children of pleasant existence, the Edwards and the Clarences
(be they kings and dukes, or simplest of simple subjects), which
afterwards towers out as the great serious epoch of the time. When we
look back upon human records, how the eye settles upon Writers as the
main landmarks of the past! We talk of the age of Augustus, of
Elizabeth, of Louis XIV., of Anne, as the notable eras of the world.
Why? Because it is their writers who have made them so. Intervals
between one age of authors and another lie unnoticed, as the flats and
common lands of uncultured history. And yet, strange to say, when these
authors are living amongst us, they occupy a very small portion of our
thoughts, and fill up but desultory interstices in the bitumen and tufo
wherefrom we build up the Babylon of our lives! So it is, and perhaps so
it should be, whether it pleases the conceit of penmen or not. Life is
meant to be active; and books, though they give the action to future
generations, administer but to the holiday of the present.
And so, with this long preface, I turn suddenly from the Randals and the
Egertons, and the Levys, Avenels, and Peschieras--from the plots and
passions of practical life, and drop the reader suddenly into one of
those obscure retreats wherein Thought weaves, from unnoticed moments, a
new link to the chain that unites the ages.
Public-domain text, read in full here on John Shaqi.
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