The International Monthly, Volume 5, No. 3, March, 1852Various
History
The International Monthly, Volume 5, No. 3, March, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"No wonder you are affected by the recollection of all his benefits. But
when once you have seen him, you will find yourself ever after at your
ease. And so, pray, smile and look as good as you are; for I am proud of
your open honest look when you are pleased, mother. And he must see your
heart in your face as I do."
With this, Leonard put his arm round the widow's neck and kissed her.
She clung to him fondly for a moment, and he felt her tremble from head
to foot. Then she broke from his embrace, and hurried out of the room.
Leonard thought perhaps she had gone to improve her dress, or to carry
her housewife energies to the decoration of the other rooms; for "the
house" was Mrs. Fairfield's hobby and passion; and now that she worked
no more, save for her amusement, it was her main occupation. The hours
she contrived to spend daily in bustling about those little rooms, and
leaving every thing therein to all appearance precisely the same, were
among the marvels in life which the genius of Leonard had never
comprehended. But she was always so delighted when Mr. Norreys or some
rare visitor came, and said (Mr. Norreys never failed to do so,) "How
neatly all is kept here. What could Leonard do without you, Mrs.
Fairfield?"
And to Norrey's infinite amusement, Mrs. Fairfield always returned the
same answer. "'Deed, sir, and thank you kindly, but 'tis my belief that
the drawin'-room would be awful dusty."
Once more left alone, Leonard's mind returned to the state of reverie,
and his face assumed the expression that had now become to it habitual.
Thus seen, he was changed much since we last beheld him. His cheek was
more pale and thin, his lips more firmly compressed, his eye more fixed
and abstract. You could detect, if I may borrow a touching French
expression, that "sorrow had passed by there." But the melancholy on his
countenance was ineffably sweet and serene, and on his ample forehead
there was that power, so rarely seen in early youth--the power that has
conquered, and betrays its conquests but in calm. The period of doubt,
of struggle, of defiance, was gone for ever; genius and soul were
reconciled to human life. It was a face most loveable; so gentle and
peaceful in its character. No want of fire; on the contrary, the fire
was so clear and so steadfast, that it conveyed but the impression of
light. The candor of boyhood, the simplicity of the villager were still
there--refined by intelligence, but intelligence that seemed to have
traversed through knowledge--not with the footstep, but the
wing--unsullied by the mire--tending towards the star--seeking through
the various grades of being but the lovelier forms of truth and
goodness; at home as should be the Art that consummates the Beautiful--
"In den heitern Regionen
Wo die reinen Formen wohnen."[23]
Public-domain text, read in full here on John Shaqi.
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