The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Poor, poor Burley! He, too, is vanished out of my present life. I have
made many inquiries after him; all I can hear is that he went abroad,
supposed as a correspondent to some journal. I should like so much to
see him again, now that perhaps I could help him as he helped me."
"_Helped_ you--ah!"
Leonard smiled with a beating heart, as he saw again the dear, prudent,
warning look, and involuntarily drew closer to Helen. She seemed more
restored to him and to her former self.
"Helped me much by his instructions; more, perhaps, by his very faults.
You cannot guess, Helen--I beg pardon, Miss Digby--but I forgot that we
are no longer children: you cannot guess how much we men, and, more than
all perhaps, we writers, whose task it is to unravel the web of human
actions, owe even to our own past errors; and if we learn nothing by the
errors of others, we should be dull indeed. We must know where the roads
divide, and have marked where they lead to, before we can erect our
sign-posts; and books are the sign-posts in human life."
"Books!--And I have not yet read yours. And Lord L'Estrange tells me you
are famous now. Yet you remember me still--the poor orphan child, whom
you first saw weeping at her father's grave, and with whom you burdened
your own young life, over-burdened already. No, still call me Helen--you
must always be to me--a brother! Lord L'Estrange feels _that_; he said
so to me when he told me that we were to meet again. He is so generous,
so noble. Brother!" cried Helen, suddenly, and extending her hand, with
a sweet but sublime look in her gentle face--"brother, we will never
forfeit his esteem; we will both do our best to repay him? Will we
not--say so?"
Leonard felt overpowered by contending and unanalyzed emotions. Touched
almost to tears by the affectionate address--thrilled by the hand that
pressed his own--and yet with a vague fear, a consciousness that
something more than the words themselves was implied--something that
checked all hope. And this word "brother," once so precious and so dear,
why did he shrink from it now?--why could he not too say the sweet word
"sister?"
"She is above me now and evermore," he thought, mournfully; and the
tones of his voice, when he spoke again, were changed. The appeal to
renewed intimacy but made him more distant; and to that appeal itself he
made no direct answer; for Mrs. Riccabocca, now turning round, and
pointing to the cottage which came in view, with its picturesque gable
ends, cried out--
"But is that your house, Leonard? I never saw any thing so pretty."
"You do not remember it then," said Leonard to Helen, in accents of
melancholy reproach "there where I saw you last! I doubted whether to
keep it exactly as it was, and I said, No! the association is not
changed because we try to surround it with whatever beauty we can
create: the dearer the association, the more the Beautiful becomes to it
natural.' Perhaps you don't understand this--perhaps it is only we poor
poets who do."
Public-domain text, read in full here on John Shaqi.
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