The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
[Illustration: THE BATEMAN CAP.]
[Illustration: THE CLEMENTINE RIDING HAT.]
[Illustration: THE ST. NICHOLAS CAP.]
[Illustration: BOY'S STRAW BRUSSELS HAT.]
[Illustration: MISSES LEGHORN HATS.]
The recent fine bright weather has brought out many very elegant spring
bonnets. The most fashionable are of Leghorn, which, during the
approaching season, is likely to recover the favor it enjoyed some years
ago. The shape of new Leghorn bonnets is elegant and becoming--the brim
is wide and circular, and the crown gently sloping backwards. The
_bavolet_ at the back is made of the Leghorn itself, instead of being
composed of silk or ribbon, as in bonnets of straw or other materials.
The favorite style of trimming Leghorns is with fancy straw, tastefully
intermingled with velvet or ribbon, of some dark rick color. On one side
may be placed a small ostrich feather, of the color of the Leghorn, or
shaded in the hues of the bird of Paradise. As the season advances,
flowers will be employed for trimming these bonnets. Genin has
introduced a great variety of new and fanciful styles from the recent
Paris modes, for children, and for ladies' riding dresses. They are of
Leghorn, felt, and beaver, all of which will be in vogue through April,
and they are generally very tasteful and elegant.
[Illustration]
In the above figure we have a _Promenade or Carriage Costume_, of rich
figured silk; the sleeves open at the ends, with under sleeves of white
muslin; with a Leghorn bonnet, trimmed with fancy straw and
violet-colored ribbon, tastefully intermingled; on one side a Leghorn
colored feather, waving spirally. Under-trimming, loops of narrow ribbon
in various shades of violet; and gloves of pale yellow kid. The
_taffetas d'Athenes_ is appropriate for ball dresses, and obtains
generally; the ground is white, blue, or pale pink, brochees in silk of
all colors in wreaths, or bouquets, forming undulating festoons round
the bottoms of the triple skirts. The upper skirt is flowered over in
small designs to the waist, as is also the body and sleeves. The
_taffetas flore_ has a white ground, covered with small bouquets of wild
field flowers. The _taffetas rose_ has wreaths of large roses, brochees
in white silk round each skirt, and rose-buds over the top skirt and
body. This toilet should be accompanied with a coiffure, of a wreath of
white roses, fixed behind by a bow and long floating ends of satin
ribbon, forming an elegant evening toilette for a bride. The manteaux,
with hoods, continue in fashion; they are generally made of cloth. The
mantelet-echarpe has been cited for its elegance and taste. It is more
dressy than the manteaux, marking the waist, and descending in front in
square ends. Sorties de bal, are very fanciful. Some of white cachemire,
trimmed with beads, silk, and jet, with magnificent lace or deep fringe.
Others of white or pink satin, edged with ruches of guipure lace, or
rouleaux of marabouts. They have hoods and large Venetian sleeves.
Public-domain text, read in full here on John Shaqi.
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