not want to interpret it because it contains something to which I object. After the interpretation of the dream has been completed, I find out what it was I objected to; it was the assertion that R. is a simpleton. I may refer the affection which I feel for R. not to the hidden dream thoughts, but rather to this unwillingness of mine. If my dream as compared with its hidden content is disfigured at this point, and is disfigured, moreover, into something opposite, then the apparent affection in the dream serves the purpose of disfigurement; or, in other words, the disfigurement is here shown to be intended: it is a means of dissimulation. My dream thoughts contain an unfavourable reference to R.; in order that I may not become aware of it, its opposite, a feeling of affection for him, makes its way into the dream. The fact here recognised might be of universal applicability. As the examples in Section III. have shown, there are dreams which are undisguised wish-fulfilments. Wherever a wish-fulfilment is unrecognisable and concealed, there must be present a feeling of repulsion towards this wish, and in consequence of this repulsion the wish is unable to gain expression except in a disfigured state. I shall try to find a case in social life which is parallel to this occurrence in the inner psychic life. Where in social life can a similar disfigurement of a psychic act be found? Only where two persons are in question, one of whom possesses a certain power, while the other must have a certain consideration for this power. This second person will then disfigure his psychic actions, or, as we may say, he will dissimulate. The politeness which I practise every day is largely dissimulation of this kind. If I interpret my dreams for the benefit of the reader I am forced to make such distortions. The poet also complains about such disfigurement: “You may not tell the best that you know to the youngsters.” The political writer who has unpleasant truths to tell to the government finds himself in the same position. If he tells them without reserve, the government will suppress them—subsequently in case of a verbal expression of opinion, preventatively, if they are to be published in print. The writer must fear _censure_; he therefore modifies and disfigures the expression of his opinion. He finds himself compelled, according to the sensitiveness of this censure, either to restrain himself from certain particular forms of attack or to speak in allusion instead of direct designations. Or he must disguise his objectionable statement in a garb that seems harmless. He may, for instance, tell of an occurrence between two mandarins in the Orient, while he has the officials of his own country in view. The stricter the domination of the censor, the more extensive becomes the disguise, and often the more humorous the means employed to put the reader back on the track of the real meaning.