I cannot give such a detailed solution of the second scene of the dream, out of regard for the censor. For at this point I put myself in the place of a certain eminent gentleman of that revolutionary period, who also had an adventure with an eagle, who is said to have suffered from incontinence of the bowels, and the like; and I believe I _should not be justified at this point in passing_ the censor, although it was an aulic councillor (_aula_, _consilarius aulicus_) who told me the greater part of these stories. The allusion to the suite of rooms in the dream relates to the private car of his Excellency, into which I had opportunity to look for a moment; but it signifies, as so often in dreams, a woman (Frauenzimmer; German _Zimmer_—room is appended to _Frauen_—woman, in order to imply a slight amount of contempt).[BL] In the person of the housekeeper I give scant recognition to an intelligent elderly lady for the entertainment and the many good stories which I have enjoyed at her house.... The feature of the lamp goes back to Grillparzer, who notes a charming experience of a similar nature, which he afterwards made use of in “Hero and Leander” (the billows of the ocean and of love—the Armada and the storm).[BM] I must also forgo detailed analysis of the two remaining portions of the dream; I shall select only those elements which lead to two childhood scenes, for the sake of which alone I have taken up the dream. The reader will guess that it is sexual matter which forces me to this suppression; but he need not be content with this explanation. Many things which must be treated as secrets in the presence of others are not treated as such with one’s self, and here it is not a question of considerations inducing me to hide the solution, but of motives of the inner censor concealing the real content of the dream from myself. I may say, then, that the analysis shows these three portions of the dream to be impertinent boasting, the exuberance of an absurd grandiose idea which has long since been suppressed in my waking life, which, however, dares show itself in the manifest dream content by one or two projections (_I seem clever to myself_), and which makes the arrogant mood of the evening before the dream perfectly intelligible. It is boasting, indeed, in all departments; thus the mention of Graz refers to the phrase: What is the price of Graz? which we are fond of using when we feel over-supplied with money. Whoever will recall Master Rabelais’s unexcelled description of the “Life and Deeds of Gargantua and his Son Pantagruel,” will be able to supply the boastful content intimated in the first portion of the dream. The following belongs to the two childhood scenes which have been promised. I had bought a new trunk for this journey, whose colour, a brownish violet, appears in the dream several times. (Violet-brown violets made of stiff material, next to a thing which is called “girl-catcher”—the furniture in the governmental chambers).