The relation of our typical dreams to fairy tales and to other poetic
material is neither a sporadic nor an accidental one. Occasionally the
keen insight of a poet has analytically recognised the transforming
process—of which the poet is usually the tool—and has followed it
backwards, that is to say, traced it to the dream. A friend has called
my attention to the following passage in G. Keller’s _Der Grüne
Heinrich_: “I do not wish, dear Lee, that you should ever come to
realise from experience the peculiar piquant truth contained in the
situation of Odysseus, when he appears before Nausikaa and her
playmates, naked and covered with mud! Would you like to know what it
means? Let us consider the incident closely. If you are ever separated
from your home, and from everything that is dear to you, and wander
about in a strange country, when you have seen and experienced much,
when you have cares and sorrows, and are, perhaps, even miserable and
forlorn, you will some night inevitably dream that you are approaching
your home; you will see it shining and beaming in the most beautiful
colours; charming, delicate and lovely figures will come to meet you;
and you will suddenly discover that you are going about in rags, naked
and covered with dust. A nameless feeling of shame and fear seizes you,
you try to cover yourself and to hide, and you awaken bathed in sweat.
As long as men exist, this will be the dream of the care-laden,
fortune-battered man, and thus Homer has taken his situation from the
profoundest depths of the eternal character of humanity.”
This profound and eternal character of humanity, upon the touching of
which in his listeners the poet usually calculates, is made up of the
stirrings of the spirit which are rooted in childhood, in the period
which later becomes prehistoric. Suppressed and forbidden wishes of
childhood break forth under cover of those wishes of the homeless man
which are unobjectionable and capable of becoming conscious, and for
that reason the dream which is made objective in the legend of Nausikaa
regularly assumes the form of a dream of anxiety.
Public-domain text, read in full here on John Shaqi.
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