But it is in his criticism of the dream sources that Robert appears most bluntly opposed to the ruling theory. Whereas according to the existing theory there would be no dream if the outer and inner sensory stimuli did not repeatedly wake the mind, according to Robert the impulse to dream lies in the mind itself. It lies in the overcharging which demands discharge, and Robert judges with perfect consistency when he maintains that the causes determining the dream which depend on the physical state assume a subordinate rank, and could not incite dreams in a mind containing no material for dream formation taken from waking consciousness. It is admitted, however, that the phantasy pictures originating in the depths of the mind can be influenced by the nervous stimuli (p. 48). Thus, according to Robert, the dream is not quite so dependent on the somatic element. To be sure, it is not a psychic process, and has no place among the psychic processes of the waking state; it is a nocturnal somatic process in the apparatus devoted to mental activity, and has a function to perform, viz. to guard this apparatus against overstraining, or, if the comparison may be changed, to cleanse the mind. Another author, Yves Delage,[15] bases his theory on the same characteristics of the dream, which become clear in the selection of the dream material, and it is instructive to observe how a slight turn in the conception of the same things gives a final result of quite different bearing. Delage, after having lost through death a person very dear to him, found from his own experience that we do not dream of what occupies us intently during the day, or that we begin to dream of it only after it is overshadowed by other interests of the day. His investigations among other persons corroborated the universality of this state of affairs. Delage makes a nice observation of this kind, if it turns out to be generally true, about the dreaming of newly married people: “S’ils ont été fortement épris, presque jamais ils n’ont rêve l’un de l’autre avant le mariage ou pendant la lune de miel; et s’ils ont rêve d’amour c’est pour être infidèles avec quelque personne indifférente ou odieuse.” But what does one dream of? Delage recognises that the material occurring in our dreams consists of fragments and remnants of impressions from the days preceding and former times. All that appears in our dreams, what at first we may be inclined to consider creations of the dream life, proves on more thorough investigation to be unrecognised reproductions, “souvenir inconscient.” But this presentation material shows a common character; it originates from impressions which have probably affected our senses more forcibly than our mind, or from which the attention has been deflected soon after their appearance. The less conscious, and at the same time the stronger the impression, the more prospect it has of playing a part in the next dream.