[170] Posited or laid down to be ideal; almost = pronounced or made _to be_ in the sense of _not being_; e.g. musical sound is "ideal" as existing, _qua_ work of art, in memory only, the moment in which it is actually heard being fugitive; a picture, in respect of the third dimension, which has to be read into it; and poetry is almost wholly ideal, _i.e._ uses hardly any sensuous element, but appeals almost entirely to what exists _in the mind_. "Subdivided," "_besondert_," like "_particularisirt_" above; because of the variety and diversity present in the mere material of colours, musical sounds, and ideas. [171] Again, the subject of a Turner or Teniers is not objectively universal, in the simplest sense; not something that is actually and literally the same everywhere and for every one. And both painting and music (immediately sensuous elements) are less completely amalgamated with the ideal, represent it less solidly and thoroughly than the statue, so far as the ideal is itself external or plastic. [172] The greater affinity of Romantic art with the movement and variety of the modern spirit displays itself not only in the greater flexibility of painting, music, or poetry, as compared with architecture and sculpture, but in the fact that the Romantic type contains these three arts at least, while the Symbolic and Classical types had only one art each. [173] This is drawn from Goethe's doctrine of colour, which Hegel unfortunately adopted in opposition to Newton's theory. [174] He means landscape, principally. [175] "_Aufheben_," used pregnantly by Hegel to mean _both_ "cancel," "annul," _and_, "preserve," "fix in mind," "idealize." The use of this word is a cardinal point of his dialectic. See "Wiss. der Logik.," i. 104. I know of no equivalent but "put by," provincial Scotch "put past." The negation of space is an attribute of music. The parts of a chord are no more in space than are the parts of a judgment. Hegel expresses this by saying that music idealizes space and concentrates it into a point. [176] The parts of space, though external to each other, are not distinguished by qualitative peculiarities. [177] "_Aufheben._" [178] "Ideality of matter:" the distinctively material attribute of a sonorous body, its extension, only appears in its sound indirectly, or inferentially, by modifying the nature of the sound. It is, therefore, "idealized." [179] Succession in time is a degree more "ideal" than co-existence in space, because it exists solely in the medium of memory. [180] "_Seele_:" mind on its individual side, as a particular feeling subject. "_Geist_" is rather mind as the common nature of intelligence. Thus in feeling and self-feeling, mind is said to concentrate itself into a soul.