The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory EssayHegel, Georg Wilhelm Friedrich
Philosophy
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Hegel, Georg Wilhelm Friedrich
Aesthetics; Art -- Philosophy
These are antitheses which have not been invented, either by the
subtlety of reflection or by the pedantry of philosophy, but which
have from all time and in manifold forms preoccupied and disquieted
the human consciousness, although it was modern culture that
elaborated them most distinctly, and forced them up to the point of
most unbending contradiction. Intellectual culture and the modern
play of understanding create in man this contrast, which makes him an
amphibious animal, inasmuch as it sets him to live in two contradictory
worlds at once; so that even consciousness wanders back and forward
in this contradiction, and, shuttle-cocked from side to side, is
unable to satisfy itself _as_ itself on the one side as on the other.
For, on the one side, we see man a prisoner in common reality and
earthly temporality, oppressed by want and poverty, hard driven by
nature, entangled in matter, in sensuous aims and their enjoyments;
on the other side, he exalts himself to eternal ideas, to a realm of
thought and freedom, imposes on himself as a _will_ universal laws and
attributions, strips the world of its living and flourishing reality
and dissolves it into abstractions, inasmuch as the mind is put upon
vindicating its rights and its dignity simply by denying the rights
of nature and maltreating it, thereby retaliating the oppression and
violence which itself has experienced from nature. Such a discrepancy
in life and consciousness involves for modern culture and its
understanding the demand that the contradiction should be resolved.
Yet the understanding cannot release itself from the fixity of these
antitheses. The solution, therefore, remains for consciousness a mere
_ought_, and the present and reality only stir themselves in the
unrest of a perpetual to and fro, which seeks a reconciliation without
finding it. Then the question arises, whether such a many-sided and
fundamental opposition which never gets beyond a mere ought and a
postulated solution, can be the genuine and complete[96] truth, and,
in general, the supreme purpose. If the culture of the world[97] has
fallen into such a contradiction, it becomes the task of philosophy to
undo or cancel it, _i.e._ to show that neither the one alternative in
its abstraction nor the other in similar one-sidedness possesses truth,
but that they are essentially self-dissolving; that truth only lies in
the conciliation and mediation of the two, and that this mediation is
no mere postulate, but is in its nature and in reality accomplished
and always self-accomplishing. This intuition agrees directly with the
natural faith and will, which always has present to the mind's eye
precisely this resolved antithesis, and in action makes it its purpose
and achieves it. All that philosophy does is to furnish a reflective
insight into the essence of the antithesis in as far as it shows that
what constitutes truth is merely the resolution of this antithesis, and
Public-domain text, read in full here on John Shaqi.
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