The Invasion of India by Alexander the Great as described by Arrian, Q. Curtius, Diodoros, Plutarch and Justin: Being Translations of such portions of the Works of these and other Classical Authors as describe Alexander's Campaigns in Afghanistan, the Panjâb, Sindh, Gedrosia and KarmaniaMcCrindle, John Watson
History
The Invasion of India by Alexander the Great as described by Arrian, Q. Curtius, Diodoros, Plutarch and Justin: Being Translations of such portions of the Works of these and other Classical Authors as describe Alexander's Campaigns in Afghanistan, the Panjâb, Sindh, Gedrosia and Karmania
McCrindle, John Watson
Alexander, the Great, 356 B.C.-323 B.C.; India -- History -- To 324 B.C. -- Sources
The character of the people is here, as elsewhere, formed by the position
of their country and its climate. They cover their persons down to the
feet with fine muslin, are shod with sandals,[220] and coil round their
heads cloths of linen (cotton). They hang precious stones as pendants
from their ears, and persons of high social rank, or of great wealth,
deck their wrist and upper arm with bracelets of gold. They frequently
comb, but seldom cut, the hair of their head. The beard of the chin they
never cut at all, but they shave off the hair from the rest of the face,
so that it looks polished.[221] The luxury of their kings, or as they
call it, their magnificence, is carried to a vicious excess without a
parallel in the world.
When the king condescends to show himself in public his attendants carry
in their hands silver censers, and perfume with incense all the road by
which it is his pleasure to be conveyed. He lolls in a golden palanquin,
garnished with pearls, which dangle all round it, and he is robed in fine
muslin embroidered with purple and gold. Behind his palanquin follow
men-at-arms and his bodyguards, of whom some carry boughs of trees,
on which birds are perched trained to interrupt business with their
cries.[222] The palace is adorned with gilded pillars clasped all round
by a vine embossed in gold, while silver images of those birds which most
charm the eye diversify the workmanship. The palace is open to all comers
even when the king is having his hair combed and dressed. It is then
that he gives audience to ambassadors, and administers justice to his
subjects. His slippers being after this taken off, his feet are rubbed
with scented ointments. His principal exercise is hunting; amid the
vows and songs of his courtesans he shoots the game enclosed within the
royal park. The arrows, which are two cubits long, are discharged with
more effort than effect, for though the force of these missiles depends
on their lightness they are loaded with an obnoxious weight. He rides
on horseback when making short journeys, but when bound on a distant
expedition he rides in a chariot (howdah) mounted on elephants, and,
huge as these animals are, their bodies are covered completely over with
trappings of gold. That no form of shameless profligacy may be wanting,
he is accompanied by a long train of courtesans carried in golden
palanquins, and this troop holds a separate place in the procession
from the queen’s retinue, and is as sumptuously appointed. His food is
prepared by women, who also serve him with wine, which is much used by
all the Indians. When the king falls into a drunken sleep his courtesans
carry him away to his bedchamber, invoking the gods of the night in their
native hymns.[223]
Public-domain text, read in full here on John Shaqi.
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