Great Britain -- History; Great Britain -- History, Naval
During the early years of Elizabeth there was a tendency to neglect
the Royal Navy. The country was so strong in privateers and merchant
craft available for war, and so devoid were her possible antagonists,
France and Spain, of true naval power, that little was done. But about
1570 the news of Menendez’s untiring efforts brought about a new
shipbuilding programme under the direction of John Hawkins, who in 1569
became Treasurer of the Navy. Several new ships were built under his
supervision, and were the most formidable fighting engines that had yet
appeared on the seas. They were of moderate size, but very seaworthy,
heavily armed, and almost entirely lacking the high fore-and-stern
castles which had encumbered the earlier vessels. In 1574 a Spanish
agent, reporting to his Government, noted their great fighting value.
The word ‘galleon’ has been frequently misinterpreted. The galleon
was a ship fit for ocean work, built with something of the fine lines
of a galley--hence its name. The very long, narrow, lightly-built
galley was useless in the Atlantic; on the other hand, the short,
broad, oceanic trading vessels were too slow and unwieldy to be of use
in war. Trimming between these two extremes, the French shipwrights
evolved a vessel at once seaworthy and comparatively fast, and the
model was adopted by England and the Peninsular States. Its essential
characteristics were that it was three beams or more long, with a draft
two-fifths of its beam. By an extraordinary series of misconceptions
the galleon has come to be regarded as a heavy, clumsy vessel peculiar
to Spain. As a fact, Spain was perhaps the last of the great Powers
of the sixteenth century to adopt it. This conclusion has been very
convincingly set forth by Mr. Julian Corbett in his ‘Drake and the
Tudor Navy.’
[Illustration: AN ELIZABETHAN MIDDLE-RATE GALLEON OR BATTLESHIP.
She has one covered gun-deck, and shows the low forecastle as against
the high ‘cageworks’ of contemporary Spanish vessels.
(_From a contemporary drawing by Visscher._)]
Public-domain text, read in full here on John Shaqi.
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