For some processes there is needed an etching ground which has the
property of not coating the entire surface, permitting the etching fluid
to penetrate at many spots uniformly, or, if it resists the etching
fluid, still so easily affected by manipulation that it will admit the
acid according to such manipulation. There are two ways to make it.
(1) Thick linseed oil varnish 1 part
Tallow 2 parts
(2) Wax 1 part
Tallow 5 parts
Linseed oil varnish 3 parts
The application will be described in the instructions about aquatints,
etc.
VII
ACID PROOF INK
So I name a color which has the property of resisting acid when the
stone is inked with it. It is useful in many cases, and even necessary.
It is well, therefore, to make a supply of it.
2 parts thick linseed oil varnish
4 parts tallow
1 part Venetian turpentine
1 part wax
All must be well melted, mixed with four parts lampblack, well rubbed
down and kept in a closed tin vessel.
VIII
CRAYON
Chemical or fatty crayon is a composition intended to be used on the
stone plate in dry form like Spanish or Parisian chalk. The inks
described previously have the property of soaking into the stone and
making it greasy where applied. The same happens if they are applied
dry, the degree of their penetration and adherence merely being less.
The mixtures that may be used to make crayons are countless. Wax and
soaps, however, are better than resinous materials. Therefore it is
likely that the compositions here named will be pretty nearly the best.
(2) Wax 4 parts
Soap 6 parts
Lampblack 2 parts, roasted, or better still,
made as explained before.
The wax and soap are melted together. The lampblack is added then. All
is rubbed down fine on a hot plate, and then placed on the fire again
till it is fluid once more. Then it is poured on a stone plate coated
with a little oil, so that it forms a cake of about one eighth inch
thickness. When this has cooled a little, it is cut into thin pieces and
put away till needed.
(2) Wax 8 parts
Soap 4 parts
Lampblack 2 parts
Burn the wax till one half is consumed, then melt the soap with it, and
treat the mixture as before.
(3) Wax 4 parts
Spermaceti 4 parts
Soap 4 parts
Lampblack 2 parts
The first three materials are melted together, the lampblack is added,
and then the whole is treated as before.
(4) Wax 8 parts
Spermaceti 4 parts
Soap 4 parts
Lampblack 2 parts
The wax is to be half burned away, then the spermaceti and soap are to
be melted into it, and the whole treated as the other formulas.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account