One, or at most two pounds of good old but not rancid linseed oil are
poured into a clean iron pan which has a long, strong handle and is so
large that the oil takes up only one half or, better, one third of the
space. This is heated over a good fire till it burns, which is
facilitated by applying flame to it. Oil that is too new has much water
and other impurities that make it froth and run over. In that case the
oil must be poured into the pan only in small quantities, when one must
take great care to avoid spattering. As soon as the oil burns, the pan
is removed from the fire and placed in a safe spot. If it is hot enough,
it will continue to burn. It must now be stirred from time to time with
an iron rod. Usually the flame increases under this stirring, but sinks
again immediately at its cessation. So long as it does this, there is no
danger that the flame cannot be easily extinguished if need be. But when
it begins to continue burning with a great flame after the stirring
stops, and at the same time to bubble and froth, it is high time to
cover the pan with a close lid and leave it covered till the oil no
longer takes fire when exposed again to the air. Then a dry knife is
introduced and as much oil removed as will adhere to its point. If it
does not permit itself to be pulled into long threads when cool, but is
too thin, it must be heated again until it gets the required
consistency.
A good varnish dries very readily of itself, and it is not only
unnecessary but inadvisable to mix a drier with it, as varnish so
treated is too likely to off-set on the stone.
Several strengths of printing-varnish are needed for the various methods
of lithography. Therefore a stock of thin, medium, and thick varnish is
needed.
In making the thin, the oil has been reduced to about two thirds through
combustion. It is somewhat like fluid honey and does not pull into
threads.
Only a little more than half the oil is left in the case of medium
varnish. It is thick as old honey and can be pulled into threads a foot
long.
In the thick varnish the mass is not much less, but it can be pulled
into threads of a yard in length; and further boiling makes it thick and
tough like gum elastic. In the latter case it can be used with advantage
when rubbed down with oil and properly thinned. But as soon as it has
obtained the last-mentioned degree of thickness and toughness, it must
be cooled quickly, for then it is not far from hardening completely and
becoming worthless. In the beginning it requires a long while for the
oil to reach the first degree of thickness, an hour or more for a pound.
But after that period the thickening progresses rapidly, so that a
quarter of the time will bring it to the point of total toughness.
To make printing color of the varnish, the proper amount of lampblack
must be mixed in. The roasted or burned-out is best in this also,
because the ordinary lampblack delays the drying and turns yellow with
time.
Public-domain text, read in full here on John Shaqi.
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