Take the spring of a pocket watch, not too small nor too broad; one and a half to two lines in breadth is best. Clean off all fat by polishing with sand or chalk. Lay it in a glass or porcelain vessel, and cover it with a solution of aquafortis and water in equal parts. Let the acid etch the steel till it has lost about three fourths of its thickness, and has become as pliable as a similar strip of letter-paper. From time to time the steel must be removed from the fluid and dried with tissue paper. This produces uniformity of etching. The steel rarely is quite uniform, and it has happened to me often that it is attacked unequally and that holes are eaten into it before it has been etched away sufficiently. That this, however, is due mainly to the quality of the acid, I learned because I found that the same steel would be attacked clean and uniformly as soon as I obtained aquafortis from some other source. A pen is poorly etched if it has many elevated points or pits and holes. The former appears to result from insufficient cleansing, the latter is due to the quality of the acid. Oil of vitriol diluted with water, or nitric acid can be used. Those who have a very light touch may etch their pens to great thinness, and will be enabled to do very delicate work. For a heavy touch they must be firmer, otherwise fine strokes will look shaky. When the steel is thin enough, it is removed and cleansed with fine sand that it may not become rusty in future. Then it is cut into pieces two inches long with good English shears. Now these must be shaped half-round. To do this, lay them on a flat stone and beat them lengthwise till they bend, using a small watchmaker's hammer, whose faces are pretty thin but well rounded. Two or three sheets of paper laid under the steel facilitate the work. Another way to give it the half-round form is to file a groove into a stone, giving it the exact shape the pen is to have. Into this groove lay the piece of steel, put in a drop of vegetable oil, and polish with a steel instrument whose end resembles a broken but well-rounded nail. Use sufficient pressure, and the steel will gradually assume the desired shape. Either of these methods may be used, according to preference. It is to be noted that the degree of roundness depends on the artist's need, one finding a well-rounded pen better, another preferring one not so well-rounded. The less the pen is rounded, the more it will resemble a brush when used, but the points will not spread so well without considerable pressure. The more they are hollowed, the stiffer are the pens and the more easily will the points spread when pressed.