In the last parts of the book I have gone less into details, merely
because I assume that those who have mastered the first parts of this
work will not need many words to understand the rest.
If the demand for this perhaps prematurely announced book had not become
so vehement lately that I could not possibly delay its publication any
longer, I should have tried to produce sample illustrations that combine
inner art value with good printing. As it is, I postpone this for a
supplementary volume soon to appear, in which I shall occupy myself
mainly with processes and methods not yet generally known, representing
each by means of a true work of art. With which I now end my text-book,
with the hearty wish that it will find many friends and create many good
lithographers. This may God grant!
The Riverside Press
PRINTED BY H. O. HOUGHTON & CO.
CAMBRIDGE, MASS.
U.S.A.
* * * * *
TRANSCRIBER'S NOTES:
Punctuation and spelling standardized.
Inconsistent hyphenation retained.
This book has no Table of Contents for Section I.
End of Project Gutenberg's The Invention of Lithography, by Alois Senefelder
Public-domain text, read in full here on John Shaqi.
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