The crayon method in combination with one or two tint plates is the
method that is easiest for the artist to handle. Now this method is very
difficult to print, demanding great practice if good, strong, and clear
impressions are to be produced. Since there are as yet no complete
printeries where an artist can have his own plates printed without
danger of damage, there is nothing left except to print them himself,
which causes many imperfect impressions that must be destroyed for the
credit of the artist. Herr Kunike had this experience; but he took his
imperfect impressions, when they were not entirely spoiled, and worked
them over with black crayon. It developed that twelve impressions could
be so well touched up by hand that they would fittingly pass as
originals, in the time which would be required to copy a single picture
properly. As this treatment of illustrations produces their value only
by merit of the final finishing, they may be considered as being the
same as copies that are made by an artist of his own work, wherein it
happens often that the copy turns out better than the original.
Just as I was preparing to leave Vienna I received several numbers of
the _Anzeiger für Kunst und Gewerbfleiss_, in which Herr Direktor von
Schlichtegroll, General Secretary of the Royal Bavarian Academy of
Sciences, had inserted several letters suggesting an inquiry into the
invention of lithography. He had used the information obtained from my
brothers and from other inhabitants of Munich. On my arrival there I
visited him at once to thank him for his patriotic endeavors, and to
make some corrections of the story told by him. I had the fortune to win
him as a steady friend, who became continually interested in giving my
work a greater field.
The completion of this text-book is due to his steadfast encouragement.
He furnished me with the opportunity to meet many worthy men and also to
demonstrate my many improvements before the Royal Academy of Sciences,
the Polytechnical Union, and at last even before their majesties, our
most gracious King and his most highly venerated spouse, that
illustrious connoisseur and protectress of the arts. Never to be
forgotten by me will be the moment when the gracious applause of the
royal pair rewarded me for all the exertions of my life. Oh! If only
human life were not so limited, if it were granted to me to execute only
one tenth part of my designs, I would make myself worthy of this great
honor by making many another useful invention! But the time passes
swiftly during our helpless wishing and striving; and when twenty or
thirty years have been lived, there remains for us only amazement at
beholding how little has been done of all that which glowing
imagination and fiery energy painted as being so easy to carry out.
Public-domain text, read in full here on John Shaqi.
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