The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
Books of larger size, made for the lecturn, were bound up in boards—not
an amalgamation of hard-pressed oakum, tar, and paper-pulp, but
veritable boards of planed wood, which were never less than one-quarter
inch, and sometimes were two inches in thickness.[69] The sheets
encased in these boards were gathered in sections usually of five
double leaves. The sections were sewed on rounded raw-hide bands
protected from cutting or cracking by a braided casing of thread. A
well-bound medieval book is a model of careful sewing: the thread,
repeatedly passed in and out of the sections and around the bands,
sometimes diagonally from one corner of the book to the other, is
caught up and locked in a worked head at the top and bottom of the
back. The bands, often fan-tailed at their ends, were pasted and
sometimes riveted in the boards. The joints were protected against
cracking by broad linings of parchment.
For a book that might receive rough usage, and that did not require
a high ornamental finish, hog-skin was selected as the strongest
and most suitable covering for the boards. The covers and the back
were decorated by marking them with fanciful patterns, lightly burnt
in the leather by heated rolls or stamps, from patterns and by
processes substantially the same as those used in manufacturing modern
accountbooks. For a book intended to receive an ornamentation of
gilded work, calf and goat-skin leathers were preferred. The gilding
was done with care, elaborately, artistically, with an excess of
minute decoration that is really bewildering, when one considers the
sparsity and simplicity of the tools in use. To protect the gilding on
the sides, the boards were often paneled or sunk in the centre, and
the corners, and sometimes the entire outer edges of the cover, were
shielded with thick projecting plates of brass or copper. A large boss
of [p156] brass in the centre, with smaller bosses or buttons upon
the corners, was also used to protect the gilding from abrasion. On
the cheaper books, bound in hog-skin, iron corners and a closely set
studding of round-headed iron nails were used for the same purpose.
To prevent the covers from warping outward, two clasps of brass were
attached to the covers.
[Illustration: A Sumptuously Bound Book.[70]
[From Chambers.]]
Public-domain text, read in full here on John Shaqi.
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