The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The best and largest books of the stationers were always of a
theological nature. In a list given by Chevillier of the books sold
in the fourteenth century by the booksellers to the university, are
found in the foremost place, books on the _Canon Law_, the _Homilies
of St. Gregory_, the _Book of Sacraments_, the _Confessions of St.
Augustine_, the _Homilies of St. Augustine_, the _Compendium of Thomas
Aquinas_,[76] and _St. Thomas on Metaphysics_, on _Physics_, on _Heaven
and Earth_, on the _Soul_. Copies of the Gospels or the Scriptures, or
even of the works of classical authors, were not in high request. The
most popular books were elementary works on grammar and philosophy, for
the use of students, and devotional works like creeds, catechisms, and
prayers, which were largely bought by the more pious part of the people
that were able to read.
The copyists made books for the more ignorant priests, books
containing a synopsis of Christian faith and doctrine, or descriptions
of important events recorded in the Scriptures. As an additional
refreshment of the memory, and to make them more enticing to the buyer,
these books were profusely illustrated with pen-and-ink drawings. The
_Bible of the Poor_, and the _Mirror of Man’s Redemption_, afterward
popular as [p163] printed books, are favorable specimens of a class
of illustrated manuscripts in common use among the inferior clergy
as far back as the tenth and eleventh centuries. They were sold to
the unlearned of the laity and to friars who could not read, but
who could understand the allegories taught through the pictures. An
increasing fondness for ornamentation and for pictorial illustration
may be noticed among both learned and unlearned. Manuscripts of every
description were adorned with pictures.[77] Abstruse theological
writings and treatises on geometry and philosophy were often decked out
with floriated borders and gaudily painted illustrations which would
now be considered as suitable only for children. It would seem that it
was through the pictorial attractions of a book, more than through its
text, that men were led to admire literature.
The copyists made books of small size which were sold to students for
trifling sums. Psalters, with leaves no larger than the palm of the
hand, were sold for a sol. Elementary school-books, like the _Logic of
Boethius_, were sometimes copied in a minute style of penmanship, and
were still further contracted with abbreviations until the writing had
the appearance of microscopic stenography. The minute penmanship may
be regarded as evidence of the great scarcity of parchment, and the
abbreviations as indications of the weariness of the writer.
Public-domain text, read in full here on John Shaqi.
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