The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The esteem with which books were regarded by priests and scholars
during the fourteenth century was shared by men of wealth, who coveted
books, not so much for their contents as for their pictures, and as
evidences of wealth and culture. A remarkable impulse had been given to
literature and to the making of books by the troubadours of Southern
France. Their songs of love and devotion to women, their encomiums of
chivalry, and stories of battle and adventure, which were of their
own age, fresh and full of life, and untainted by the influence of
withered classical models, had most unbounded popularity in every
grade of society. Uncultivated people, who would have yawned over the
reading of _Homer_ or the _Odes of Horace_, would listen with a keen
delight to the songs of a Provençal minstrel, or to the reading of
romances about Charlemagne and his Paladins, about Arthur and Merlin,
and the Knights of the Round Table. To men who had regarded books only
as dull treatises about theology, these romances were revelations of
an unsuspected attractiveness in literature. How much these romances
increased the respect for books, and led to the making of new copies,
and to a more general knowledge of reading and writing, cannot be
exactly stated; but their influence on the people was vastly greater
than that of the books of the schools. During the fourteenth and
fifteenth centuries, books about love and chivalry constituted the
greater part of the secular literature of Europe. The most popular
books of Caxton, the first English printer, and of the early printers
of Paris, were of this character. To the ladies of France, the books of
love and song were especially attractive. It was largely through their
admiration that the workmanship of a new order of book-makers came in
fashion. [p166] To please their dainty tastes, copies were made with
refinements of calligraphy never before attempted; the unwieldy sizes
of folio and quarto were supplanted by small and handy duodecimos, and
bindings of a more delicate character were introduced.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account