The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
Der Endkrist, or the Antichrist. This book seems to have been written
to warn men against the snares of heresy. Two distinct editions are
known; each was printed from a different suite of blocks and by a
different printer. The copy about to be described has thirty-eight
leaves, twenty-six of which are devoted to the life of Antichrist, and
eleven to a separate treatise known as the _Fifteen Signs_, which was
bound up with the _Antichrist_, and of which it seems to be the proper
sequel. The book is printed on one side of the leaf, in brown ink, and
the illustrations face each other. The text begins with the words,
“Here beginneth of Antichrist, taken and drawn out of many books, how
and of whom he [p231] shall be born.” After a half-page wood-cut,
which represents with needless grossness the birth of Antichrist,
follow other engravings illustrating the more notable events of his
life.[120] The fac-simile on the following page gives a correct notion
of the lawlessness of the designs[121] of the book. It is obvious that
they were not made by the artist who drew the illustrations for the
_Bible of the Poor_ or for the _Canticles_. The text which explains the
wood-cuts is in the German language, but it is in a very careless form
of German writing. [p233]
[Illustration: Fac-simile, reduced, of a Page of the Antichrist.
[From Heineken.]]
The thirty-eight leaves of one edition are made up in one section. This
bungling method of making up a book is sufficient evidence that the
printer or engraver who placed these pages together had no education in
practical book-making. But the bad method shown in the plan does not
prove that the book is of great age. The copy under notice contains,
in the German language, the imprint of _Junghannis, priffmaler_, or
painter of cards, Nuremberg, 1472. Whether this Junghannis was the
designer, printer or engraver is not known.
HOW TO REMEMBER THE EVANGELISTS.
This block-book[122] was, no doubt, intended for men, but a modern
observer would say that it had been made for children. The time-honored
method, still used for the child’s alphabet, A was an apple, is the
method of the _Ars Memorandi_. Compared with the block-books previously
noticed, it is a book of high merit. It is a thin folio of thirty
pages, fifteen of which contain a text of very large, clumsily drawn
and compactly arranged letters within a rule-bordered frame; the
remaining fifteen pages have full-page illustrations. The edition from
which the annexed illustration was copied is in brown ink.
[Illustration: Fac-simile of a Page of the Ars Memorandi.
Engraving in the original print is 6-3/4 by 9-1/4 American inches.
[From Heineken.]]
Public-domain text, read in full here on John Shaqi.
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