The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
It is my opinion that the art was first invented ten or twelve years
before the year of our Lord 1440 (in which the most trustworthy
authors agree), in Holland, at Haarlem. Junius has told its beginning
and progress before us. And although he discovered some particulars
about the invention, yet he has (I may be allowed to say it without
disturbing his ashes) his errors, and may not be pronounced free from
inadvertence. To-day (A. D. 1628) is just two centuries since the
[p349] excellent and valuable art of printing made its appearance (A.
D. 1428). Not in the manner that is used now, with letters cast of
lead and tin. No, it did not go on like that; but a book was cut, leaf
for leaf, on wooden blocks . . . . We must not think that every letter
was cut separately on wood, and that these letters were collected and
put together to a line, and in a certain number of lines. . . . . Our
acute Laurens first cut the letters, twisted and close to each other,
in the manner of writing on wood or tin; but afterward, when he was so
successful, he changed his method of working, and, having invented the
matrices, cast his letters. (!)
I will not say further how the noble art of engraving and printing
of engravings is connected with the invention of printing, which
arose afterward. But just as the dexterous Jan Fuyst imitated the
appropriate art of printing, so the excellent and talented printers
and designers, who also handled the artistic chisel and knife,
contrived to multiply and publish their engravings, cut after the
printing of the Haarlem figures. And all have been instructed by,
and got their first experience from, our clever and talented Laurens
Koster.[205]
Scriverius has given dates and new details, but he has not thrown any
clear light on the subject. He has not made the story of Junius more
credible, but he has exposed himself as a romancer and a fabricator.
In trying to mend the legend, he has destroyed it. If the story of
Scriverius is true, then that of Junius is false, for they contradict
each other. The statements of Junius were based on the pedigree and the
gossip of the old men of Haarlem; the statements of Scriverius were
based on nothing, for he had no authorities which the most lenient
critic could accept.
Public-domain text, read in full here on John Shaqi.
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