The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The oath, according to this form, has been taken before us by Hans
Riffe, Andrew Heilmann and Hans Gutenberg, with this qualification on
the part of Hans Riffe, that he was not present at the first meeting
[of the partners]; but that, as soon as he did meet with them, he had
approved of their action or agreement.
The taking of this oath, and the payment of the fifteen guilders by
John Gutenberg, terminated the suit in his favor.
The record is enough to give us a clear idea of the character and
position, if not of the process, of John Gutenberg. At this time,
December, 1439, and for some time previous, Gutenberg was neither in
poverty nor in obscurity. He had already acquired a local reputation
for scientific knowledge. He did not seek for partners or pupils;
they came to him. Among the number we find Hans Riffe, the mayor
of Lichtenau, whose confidence in Gutenberg, after three years of
partnership, is implied in his testimony. Anthony Heilmann, the lender
of money, seems to have been equally satisfied with his brother
partner. The action of the judge, in accepting Gutenberg’s oath as
conclusive, proves that he was a man of established character. The
deference paid to him by all the witnesses shows that he was not
merely a mechanic or an inventor, but a man of activity and energy, a
born leader, with a presence and a power of persuasion that enabled
him to secure ready assistance in the execution of his plans. His
reputation had been made by success. George Dritzehen said that his
brother had received a good profit from his connection with Gutenberg.
The eagerness and the faith of Andrew, the pertinacity with which
his brothers pressed their claim to be admitted as partners, the
solicitation of Heilmann on behalf of his brother, are indications that
the men were sanguine as [p390] to the success of Gutenberg’s new
invention. The expected profit was attractive, but it was not the only
advantage.
In that century it was not an easy matter to learn an art or a trade
of value: no one could enter the ranks of mechanics even as a pupil,
without the payment of a premium in money; no one could practise any
trade unless he had served a long period of apprenticeship. These
exactions hopelessly shut out many who wished to learn; but men who
had complied with all the conditions were often unwilling to teach,
or to allow others to practise. Many trades were monopolies. In
some cases they were protected by legislative enactments, like that
accorded to the Venetian makers of playing cards. So far as it could
be done, every detail of mechanics was kept secret, as may be inferred
from the old phrase “art and mystery,” still retained in indentures
of apprenticeship in all countries. One of the consequences of this
exclusiveness was that many mechanical arts were invested with unusual
dignity.[234] The sharply defined line which, in our day, separates art
from trade and mechanics did not then exist.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account