The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
I could not avoid expressing my astonishment at seeing in some pages
two distinct red inks: one, the dull color before spoken of, and the
other, a red which, in printing, might fairly be called of the most
perfect beauty; and I had nearly left it with the belief that there
were two inks, red and blue, used in the printing of the book, which,
for brilliancy of color, would set at defiance all the efforts of
the present day to equal them. Some accidental circumstance caused
me to view the book in a different light, when I discovered that the
beautiful red was not printed but written in, so exactly like the
type that it could only be ascertained by the want of indentation in
the paper, which is invariably produced by pressure in the process of
printing. By the same means, I also ascertained that the fine delicate
blue was painted. Thus the colors produced by printing in the capital
letters are reduced to two, namely, dull blue and dull red.[300]
It is not difficult to explain this curious circumstance. The red and
blue printing inks first used by Schœffer were so dull and faded that
he would not suffer them to be compared with the brighter colors of
fair manuscripts. He was compelled to brighten the colors by painting.
Although sold as a printed book, the _Psalter_ was the joint work of
the printer and the illuminator, and the features which the modern
bibliographer most admires are those made by the illuminator.
The process employed by the printer of the _Psalter_ for securing an
exact register of the colors was just as irregular. It is an error to
assume that the two-colored initials were printed as similar work is
now printed, by two impressions. Bernard says that the red and the blue
blocks of the initials, [p457] each engraved on a separate piece of
wood, were made to fit each other, so that the red block should fit
accurately in the mortised blue block. In the process of printing,
each block was separately inked, but the red block was dropped in the
mortise of the blue block before impression was taken.[301] After these
painstaking preparations, exact register was inevitable.
Public-domain text, read in full here on John Shaqi.
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