The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The Chinese are not entirely insensible to the advantages of European
typography. There is a story current in books on printing, that Jesuit
missionaries, during the latter part of the seventeenth century, cast
250,000 Chinese characters in the form of movable types.[46] Here is an
obvious error: if we consider the work done afterward with these types,
the quantity stated is altogether too small for the types and too large
for the punches. It is further said that the Jesuit missionaries, with
the permission of the reigning emperor, [p119] printed a collection
of ancient and standard works in six thousand octavo volumes. Of this
edition, there are now in Paris, the _History of Music_ in sixty
volumes, the _History of the Chinese Language_ in eighty volumes,
and the _History of Foreign Peoples_ in seventy-five volumes.[47]
A printing office, in which movable types of cast metal are used,
has been in operation in Peking since the year 1776. The types of
this office are of home manufacture, made from punches of hard wood
and matrices of baked porcelain. There may be other instances of an
occasional use of types for special purposes, but they are exceptions
to the general practice.
Ever since their invention of the art, the largest part of Chinese
printed work has been done, as it is now done, by xylography. So long
as they continue to use these peculiar characters, this simple method
of printing must be preferred for its great cheapness and simplicity.
We may smile at the clumsiness of the method, but we should not
overlook the fact that it is efficient. “Every one,” Du Halde says,
“hath the liberty to print what he pleaseth, without the supervising,
censure or licence of any one, and with so small charge, that for
every hundred letters perfectly engraved in the manner above said,
they pay four pence half-penny, yet every letter consists of many
strokes.” In no country are books so cheap and so abundant as they
are in China. The American book or pamphlet in paper cover, sometimes
sold for seventy-five cents, more frequently for one dollar, seems of
exorbitantly high price when contrasted with a Chinese book of similar
size, which can be had in China for the equivalent of eight or ten
cents. If the Chinese have not derived great benefits from printing, it
is obvious that their failure has not been produced by the high price
of printed work.
Public-domain text, read in full here on John Shaqi.
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