British Columbia -- Fiction; Families -- Fiction; Lumber trade -- Fiction
"I'll tell you in words of one syllable and maybe you'll get it," she
retorted. "Some years ago, if you recall the occasion, I was very
much in love with your own distinguished self. I hope," she smile
impishly, "it doesn't embarrass you to be reminded. It doesn't me,
because I still think my judgment was good, even if I was out of
luck. I've been in love probably half a dozen times since. And I
always drew back at what the novelists call the psychological moment.
Why? God knows. I don't. Something lacking, I suppose. Perhaps in
spite of my giddiness I had a hunch that being in love with love
isn't quite the same as being in love with a person. Then the war
took all the likely ones away, and a good many of the best of them
didn't come back. And something has happened to those who did come
back. They're either so keen on the make they daren't take a girl
seriously, or--or they've gone bad; the bloom's off 'em. Not one of
them looks good to me. Nor the life they live. I hope I don't sound
preachy. But some people who are rotten with money--especially those
who've made it so fast they haven't had time to grow up to it--are
rotten with other things, too. I may look like what Andy calls a
charming, innocent parasite. I like to think of myself as charming.
My instincts at any rate are innocent. But I do object to the role
of parasite. I don't want to be one. I've never done anything
useful, even for myself, but that isn't saying I don't want to--even
if it's no more than to comfort and pet some man and hearten him for
whatever sort of job he has in hand. I've never worked, but that's
no sign I wouldn't if I knew where to start in. I'm not lazy, nor am
I too fastidious for workaday life. That's what it's got to do with
Andy Hall. I like him. I'd hate to tell you just how much; you'd
blush. And he likes me. I know that, although he's the best little
sentiment-represser I've come across. He's afraid of me, or he's
afraid of what I am. I mean I think he doesn't see me just as a
woman but as part of and more or less inseparable from a certain
background--a background he doesn't like and doesn't trust.
Public-domain text, read in full here on John Shaqi.
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