Suddenly an old woman, peering under the arm of the big navvy, screamed
sharply. “Looky there!” she said, and thrust out a wrinkled finger.
And looking where she pointed, everyone saw, faint and transparent as
though it was made of glass, so that veins and arteries and bones and
nerves could be distinguished, the outline of a hand, a hand limp and
prone. It grew clouded and opaque even as they stared.
“Hullo!” cried the constable. “Here’s his feet a-showing!”
And so, slowly, beginning at his hands and feet and creeping along his
limbs to the vital centres of his body, that strange change continued.
It was like the slow spreading of a poison. First came the little white
nerves, a hazy grey sketch of a limb, then the glassy bones and
intricate arteries, then the flesh and skin, first a faint fogginess,
and then growing rapidly dense and opaque. Presently they could see his
crushed chest and his shoulders, and the dim outline of his drawn and
battered features.
When at last the crowd made way for Kemp to stand erect, there lay,
naked and pitiful on the ground, the bruised and broken body of a young
man about thirty. His hair and brow were white—not grey with age, but
white with the whiteness of albinism—and his eyes were like garnets.
His hands were clenched, his eyes wide open, and his expression was one
of anger and dismay.
“Cover his face!” said a man. “For Gawd’s sake, cover that face!” and
three little children, pushing forward through the crowd, were suddenly
twisted round and sent packing off again.
Someone brought a sheet from the “Jolly Cricketers,” and having covered
him, they carried him into that house. And there it was, on a shabby
bed in a tawdry, ill-lighted bedroom, surrounded by a crowd of ignorant
and excited people, broken and wounded, betrayed and unpitied, that
Griffin, the first of all men to make himself invisible, Griffin, the
most gifted physicist the world has ever seen, ended in infinite
disaster his strange and terrible career.
THE EPILOGUE
So ends the story of the strange and evil experiments of the Invisible
Man. And if you would learn more of him you must go to a little inn
near Port Stowe and talk to the landlord. The sign of the inn is an
empty board save for a hat and boots, and the name is the title of this
story. The landlord is a short and corpulent little man with a nose of
cylindrical proportions, wiry hair, and a sporadic rosiness of visage.
Drink generously, and he will tell you generously of all the things
that happened to him after that time, and of how the lawyers tried to
do him out of the treasure found upon him.
“When they found they couldn’t prove whose money was which, I’m
blessed,” he says, “if they didn’t try to make me out a blooming
treasure trove! Do I _look_ like a Treasure Trove? And then a gentleman
gave me a guinea a night to tell the story at the Empire Music
’All—just to tell ’em in my own words—barring one.”
Public-domain text, read in full here on John Shaqi.
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