The Irish CrisisTrevelyan, Charles E. (Charles Edward)
History
The Irish Crisis
Trevelyan, Charles E. (Charles Edward)
Ireland -- Economic conditions; Ireland -- History -- 1837-1901; Ireland -- History -- Famine, 1845-1852
bringing non-resident proprietors under contribution, it gives them
powerful motives either to reside on their estates or to take care
that they are managed, in their absence, with a proper regard to the
welfare of the poor[59]. Lastly, the performance of duty supposes the
enjoyment of equivalent rights. When rich and poor are at one again,
the repudiating farmer will find the position of his landlord too
strong to allow of his taking his present license, and it will then be
fearlessly asserted that the converse of Mr. Drummond’s maxim is also
true, and that “Property has its rights as well as its duties.” For the
first time in the history of Ireland, the poor man has become sensibly
alive to the idea that the law is his friend, and the exhortation of
the parish priest of Dingle to his flock in September 1847, indicates
an epoch in the progress of society in Ireland:--“Heretofore landlords
have had agents who collected their rents, and they supported them. The
grand jury had agents to collect the county-cess, and they supported
them. Now, for the first time, the poor man has an agent to collect
_his_ rent. That agent is the poor-rate collector, and he should be
supported by the poor.” Time must, however, be allowed for the gradual
working of this feeling, before its full effects can be seen.
Those who object to the existing Poor Law are bound to point out a more
certain and less objectionable mode of relieving the destitute and
securing the regular employment of the poor. The principle of the Poor
Law is, that rate after rate should be levied _for the preservation of
life_, until the landowners and farmers either enable the people to
support themselves by honest industry, or dispose of their property to
those who can and will perform this indispensable duty.
Public-domain text, read in full here on John Shaqi.
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