The Iron Game: A Tale of the WarKeenan, Henry F. (Henry Francis)
History
The Iron Game: A Tale of the War
Keenan, Henry F. (Henry Francis)
United States -- History -- Civil War, 1861-1865 -- Fiction
"Ah! Jack! Jack! To start so well and end so miserably, I can't bear
it--I can't stay here. You stay and let me go."
"No, Dick, it can't be; you are already so worn out that we should have
been obliged to halt for you if Jones hadn't broken down. It can't be
that you would think of leaving a fellow-soldier in such extremity as
this, Dick? I know you better."
"But I don't know him. I have no interest in him. With you I'll face any
danger--I'll die without a word; but to stay here in this awful place,
with the black pools of water, like great dead eyes, glaring in their
hideous light" (the pine-torch flaring in the wind filled the glade with
vast ogreish shadows, as the clustering bushes were swayed in the night
air) "and these hideous night-cries--O Jack, I can't--I can't--I
must go!"
"But the horses and the need of some one that can come back in case
anything befalls me. I am disappointed in you, Dick. I am shocked; you
are not the man of courage and honor I thought you."
"O my God, go--go--I will stay; but, Jack, if you find me dead,
tell--tell--Rosa--that--that--" He gasped and sank down sobbing against
the gnarled tree that crossed the mound above Jones's head.
"I will tell Rosa that you were the man she believed you were when the
trial came," and with this Jack and Barney, with a flaming torch, set
forward hastily through the fantastic curtain of foliage and night,
which shut in the glimmering vista of specters, dark, sinister,
and menacing.
CHAPTER XXV
PHANTASMAGORIA.
To say that night is a time of terror is a commonplace. Night is not
terrible of itself. It is like the ocean--peace and repose if there be
no storm. But of all terrors there are none, outside a guilty mind, so
benumbing as night in the unknown. It does not lessen the horror of
darkness that fear makes use of the imagination for its agencies. Fancy,
intuition, and the train that follows the inner vision, these make of
night a phantasmagoria, compared to which Milton's inferno is a place of
comparative repose.
Public-domain text, read in full here on John Shaqi.
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