The news of the White River fiasco reached Curtis Gordon in Seattle,
whither he had gone in a final attempt to bolster up the tottering
fortunes of the Cortez Home Railway. His disappointment was keen, yet
O'Neil from the beginning had met his attacks with such uniform success
that new failure did not really surprise him; it had been a forlorn
hope at best. Strangely enough, he had begun to lose something of his
assurance of late. Although he maintained his outward appearance of
confidence with all his old skill, within himself he felt a growing
uneasiness, a lurking doubt of his abilities. Outwardly there was
reason enough for discouragement, for, while his co-operative railroad
scheme had begun brilliantly, its initial success had not been
sustained. As time passed and Eliza Appleton's exposure remained
unrefuted he had found it ever more difficult to enlist support. His
own denials and explanations seemed powerless to affect the public
mind, and as he looked back he dated his decline from the appearance of
her first article. It had done all the mischief he had feared. Not only
were his old stock-holders dissatisfied, but wherever he went for aid
he found a disconcerting lack of response, a half-veiled skepticism
that was maddening.
Yet his immediate business worries were not all, nor the worst of his
troubles: his physical powers were waning. To all appearances he was as
strong as ever, but a strange bodily lassitude hampered him; he tired
easily, and against this handicap he was forced to struggle
continually. He had never rightly valued his amazing equipment of
energy until now, when some subtle ailment had begun to sap it. The
change was less in his muscular strength than in his nerves and his
mental vigor. He found himself growing peculiarly irritable; his
failures excited spasms of blind fury which left him weak and spent; he
began to suffer the depressing tortures of insomnia. At times the
nerves in his face and neck twitched unaccountably, and this
distressing affection spread.
Public-domain text, read in full here on John Shaqi.
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