The Maitland Works were still. High in the dusty gloom of the foundry,
a finger of sunshine pointing down from a grimy window touched the cold
lip of a cupola and traveled noiselessly over rows of empty molds upon
the blackened floor. The cast-house was silent. The Yards were
deserted. The pillar of fire was out; the pillar of smoke had faded
away.
In the darkened parlor of her great house, Sarah Maitland was still,
too. Lines of sunshine fell between the bowed shutters, and across them
wavering motes swam noiselessly from gloom to gloom. The marble
serenities of death were without sound; the beautiful, powerless hands
were empty, even of the soft futility of flowers; some one had placed
lilies-of-the-valley in them, but her son, with new, inarticulate
appreciation, lifted them and took them away. The only sound that broke
the dusky stillness of the room was the subdued brush of black
garments, or an occasional sigh, or the rustle of a furtively turned
page of a hymn-book. Except when, standing shoulder to shoulder in the
hall, her business associates, with hats held decorously before
whispering lips, spoke to each other of her power and her money,--who
now had neither money nor power,--the house was profoundly still. Then,
suddenly, from the head of the stairs, a Voice fell into the quietness:
_"Lord, let me know mine end and the number of my days, that I may be
certified how long I have to live. When thou with rebukes dost chasten
man for sin, thou makest his beauty to consume away, like as it were a
moth fretting a garment: every man, therefore, is vanity. For man
walketh in a vain show, and disquieteth--"_ the engine of a passing
freight coughed, and a cloud of smoke billowed against the windows; the
strips of sunshine falling between the shutters were blotted out; came
again--went again. Over and over the raucous running jolt of backing
cars, the rattling bump of sudden breaks, swallowed up the voice,
declaring the eternal silence: ". . . _glory of the celestial is one,
and the glory of the terrestrial is . . . of the sun, and another glory
of the moon, for one star differeth from . . . Dust to dust, ashes to
ashes_ . . ."
Out in the street the shadow of her house fell across the meager
dooryard, where, on its blackened stems, the pyrus japonica showed some
scattered blood-red blossoms; it fell over Shantytown, that packed the
sidewalk and stared from dingy doors and windows; it fell on her men,
standing in unrebuked idleness, their lowered voices a mutter of energy
held, for this waiting moment, in leash. A boy who had climbed up the
lamp-post announced shrilly that "It" was coming. Some girls, pressing
against the rusted iron spears of the fence, and sagging under the
weight of babies almost as big as themselves, called across the street
to their mothers, "Here she is!"
Public-domain text, read in full here on John Shaqi.
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