The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
One morning the Rev. George Lind received a letter addressed in a
handwriting which he did not remember and never thenceforth forgot.
Within the envelope he found a dainty little bag made of blue satin,
secured by ribbons of the same material. This contained a note written
on scented paper, edged with gold, and decorated with a miniature
representation of a _pierrot_, sitting cross-legged, conning a book, on
the open pages of which appeared the letters L.V. The clergyman
recognized the monogram no more than the writing. But as it was
evidently from a lady, he felt a pleasant thrill of expectation as he
unfolded the paper.
“Laurel Grove West Kensington
“Wednesday
“Dear Mr. George
“I have made poor little Lucy believe that Kew is the most heavenly
place on earth to spend a May morning so Bob has had to promise to
row her down there to-morrow (Thursday) after breakfast and I shall
be at home alone from eleven to one this is very short notice I
know but opportunities are scarce and another might not present
itself for a month.
“Believe me Dear Mr. George
“Yours sincerely
Lalage Virtue.”
The Rev. George became thoughtful, and absently put the note in a
little rack over the mantelpiece. Then, recollecting that a prying
servant or landlady might misinterpret it, he transferred it to his
pocket. After breakfast, having satisfied himself before the mirror
that his dress was faultless, and his expression saintly, he went out
and travelled by rail from Sloane Square to West Kensington, whence he
walked to Laurel Grove. An elderly maid opened the gate. It was a rule
with the Rev. George not to look at strange women; and this morning the
asceticism which he thought proper to his office was unusually
prominent in his thoughts. He did not look up once while the maid
conducted him through the shrubbery to the house; and he fully believed
that he had not seen at the first glance that she was remarkably plain,
as Susanna took care that all her servants should be. Passing by the
drawing-room, where he had been on a previous occasion, they went on to
a smaller apartment at the back of the house.
“What room is this?” he asked, uneasily.
“Missus’s Purjin bodoor, sir,” replied the main.
She opened the door; and the clergyman, entering, found himself in a
small room, luxuriously decorated in sham Persian, but containing
ornaments of all styles and periods, which had been purchased and
introduced just as they had caught Susanna’s fancy. She was seated on a
ottoman, dressed in wide trousers, Turkish slippers, a voluminous sash,
a short Greek jacket, a long silk robe with sleeves, and a turban, all
of fine soft materials and rare colors. Her face was skilfully painted,
and her dark hair disposed so as not to overweight her small head. The
clergyman, foolishly resisting a natural impulse to admire her, felt
like St. Anthony struggling with the fascination of a disguised devil.
He responded to her smile of welcome by a stiff bow.
Public-domain text, read in full here on John Shaqi.
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