Adventure stories; Fantasy fiction, English; Quatermain, Allan (Fictitious character) -- Fiction
Scarcely was it full daylight when from the cells of the cloisters
round the outer court issued twelve priests headed by Harût himself,
who looked very dignified in his white garment, each of whom carried on
a wooden platter ears of different kinds of corn. Then from the cells
of the southern cloister issued twelve women, or rather girls, for all
were young and very comely, who ranged themselves alongside of the men.
These also carried wooden platters, and on them blooming flowers.
At a sign they struck up a religious chant and began to walk forward
through the passage that led from the first court to the second.
Arriving in front of the altar they halted and one by one, first a
priest and then a priestess, set down the platters of offerings, piling
them above each other into a cone. Next the priests and the priestesses
ranged themselves in lines on either side of the altar, and Harût took
a platter of corn and a platter of flowers in his hands. These he held
first towards that quarter of the sky in which swam the invisible new
moon, secondly towards the rising sun, and thirdly towards the doors of
the sanctuary, making genuflexions and uttering some chanted prayer,
the words of which we could not hear.
A pause followed, that was succeeded by a sudden outburst of song
wherein all the audience took part. It was a very sonorous and
beautiful song or hymn in some language which I did not understand,
divided into four verses, the end of each verse being marked by the
bowing of every one of those many singers towards the east, towards the
west, and finally towards the altar.
Another pause till suddenly the doors of the sanctuary were thrown wide
and from between them issued—the goddess Isis of the Egyptians as I
have seen her in pictures! She was wrapped in closely clinging
draperies of material so thin that the whiteness of her body could be
seen beneath. Her hair was outspread before her, and she wore a
head-dress or bonnet of glittering feathers from the front of which
rose a little golden snake. In her arms she bore what at that distance
seemed to be a naked child. With her came two women, walking a little
behind her and supporting her arms, who also wore feather bonnets but
without the golden snake, and were clad in tight-fitting, transparent
garments.
“My God!” whispered Ragnall, “it is my wife!”
“Then be silent and thank Him that she is alive and well,” I answered.
The goddess Isis, or the English lady—in that excitement I did not reck
which—stood still while the priests and priestesses and all the
audience, who, gathered on the upper benches of the amphitheatre, could
see her above the wall of the inner court, raised a thrice-repeated and
triumphant cry of welcome. Then Harût and the first priestess lifted
respectively an ear of corn and a flower from the two topmost platters
and held these first to the lips of the child in her arms and secondly
to her lips.
Public-domain text, read in full here on John Shaqi.
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